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Erast Fandorin

Erast Petrovich Fandorin
Erast Fandorin.jpg
Oleg Menshikov as Erast Fandorin in the 2005 movie The State Counsellor
First appearance The Winter Queen
Created by Boris Akunin
Portrayed by Oleg Menshikov
Egor Beroev
Ilya Noskov
Information
Nickname(s) Funduk (schoolmates); Erasmus (Count Zurov)
Aliases Erast Petrovich Nameless ("He Lover of Death"), Genji ("She Lover of Death"), Erast Petrovich Kuznetsov ("Before the End of the World")
Gender Male
Occupation April–May 1876: Moscow police clerk
May–September 1876, July 1877-March 1878: Agent of the Third Section
September 1876-July 1877: Volunteer in the Serbian Army
1878-1882: Diplomat
1882-1891: Deputy for Special Assignments under the Governor-general of Moscow
1891-1904: private investigator, engineer and adventurer
1904-1905: Consulting engineer for the Railroad Police Department.
Title from Collegiate Registrar (1876) to State Counsellor (1891)
Spouse(s) Yelizaveta "Lizanka" von Evert-Kolokoltseva (1876), Yelizaveta Anatolievna (last name unknown, possibly married c. 1919)
Children Alexander Fandorine (son), born 1920/21

Erast Petrovich Fandorin (Russian: Эраст Петрович Фандорин) is a fictional 19th-century Russian detective and the hero of a series of Russian historical detective novels by Boris Akunin.

The first Fandorin novel (The Winter Queen, rus. - Азазель) was published in Russia in 1998, and the latest and the last one was published in November 2012 (The Black City, rus. - Чёрный город). More than 15 million copies of Fandorin novels have been sold as of May 2006, even though the novels were freely available from many Russian web-sites and the hard-copies were relatively expensive by Russian standards. New books in the Fandorin series typically sell over 200,000 copies in the first week alone, with an unparalleled (for mystery novels) first edition of 50,000 copies for the first books to 500,000 copies for the last.

The English translations of the novels have been critically acclaimed by, among others, Ruth Rendell.

In the Soviet Union, detective novels enjoyed mass popularity. Although they were seen as a "low genre" by the communist officials, both local (such as Vayner brothers and Julian Semenov), and foreign detective novels have always been avidly coveted.

After the collapse of the Soviet Union, many trashy detective novels were published that featured a lot of gore and sex. Akunin's wife, in common with many other Russians, started to enjoy reading this genre of literature. However, she did not want to be seen reading the novels and she always wrapped them in brown paper to prevent people from seeing what she was reading. This inspired Akunin to create a detective novel which nobody would be ashamed to be caught reading, something between the literature of Leo Tolstoy and Fyodor Dostoevsky and the pulp of modern Russian detective novels.

He set out to write a cycle about Fandorin with an exploration of every subgenre of the detective novel in mind, from spies to serial killers. In addition, he wanted to address different types of human character in his books. As Akunin identified sixteen subgenres of crime novels, as well as sixteen character types, the novels in the Erast Fandorin series will ultimately number sixteen. As of December 2009, thirteen novels have been published in Russia. The series is titled Новый детективъ (New detective, or New Mystery). This title serves to set the novels apart from the postmodernist intellectual novels as well as from the trashy detective novels, but it is also a subtle play on the use of time in the novels.


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