Empyrean Isles
| Empyrean Isles | ||||
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| Studio album by Herbie Hancock | ||||
| Released | Late November/early December 1964 | |||
| Recorded | June 17, 1964 Van Gelder Studio, Englewood Cliffs |
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| Genre | Hard bop, modal jazz, soul jazz | |||
| Length | 35:20 (1964 release) 53:44 (1999 release) |
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| Label |
Blue Note BST 84175 |
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| Producer | Alfred Lion | |||
| Herbie Hancock chronology | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| Allmusic |  |
| The Rolling Stone Jazz Record Guide | |
Empyrean Isles is the fourth album by American jazz pianist Herbie Hancock, recorded on June 17, 1964 for Blue Note Records. It features the debut of two of his most popular compositions, "One Finger Snap" and "Cantaloupe Island".
From the original liner notes by Duke Pearson: "This is a quartet album for trumpet and rhythm section. In this circumstance, a problem was created for the composer-arranger, in that the lack of another instrument supporting the lower, richer register, such as a tenor saxophone, might result in a shallow sound. With this problem in mind, Herbie Hancock, who composed and arranged all the tunes, wrote them to sound more like improvisations than ensemble melodies, so that the warmth and fullness of a supporting melody would not be missed. Free sketches were written in such a way that each instrument is allowed great flexibility of interpretation. In many cases, no melodic line was laid out over the chords nor atonal clusters written, so that the trumpeter could supply any melody he wished."
From the 1999 reissue liner notes by Bob Blumenthal: "If someone had ordered up a program that explored four distinct areas of jazz expression with equal brilliance, they could not have done better than Empyrean Isles. It is as if Hancock had set out to present 'changes,' modal, funk and free playing and delivered each at its apex."
The album was recorded by Rudy Van Gelder and produced by Alfred Lion.
This composition features a short melody played in unison (which is only used as an intro, an ending and to tie between solos), followed by a chord progression without a written melody, going straight to improvisation. The real book has the first chorus of Freddie Hubbard's solo written as if it were the head.
All compositions by Herbie Hancock.
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