Emil Sodersten
| Emil Sodersten | |
|---|---|
Studio portrait of Emil Sodersten in 1940
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| Born |
30 August 1899 Balmain, NSW |
| Died | 14 December 1961 (aged 62) Manly, NSW |
| Nationality | Australian |
| Occupation | Architect |
| Buildings | Birtley Towers, Elizabeth Bay (1935) City Mutual Building, Sydney (1936) Nesca House, Newcastle (1939) Segenhoe (Wolfe Street, Newcastle) |
| Design | Australian War Memorial, Canberra (1925) |
Emil Lawrence Sodersten (30 August 1899 – 14 December 1961) was an Australian architect active in the second quarter of the 20th century. His work encompassed the Australian architectural styles of Art Deco and Functionalist & Moderne. His design for the Australian War Memorial was "the first national architectural monument in Australia". The Australian Institute of Architects presents the Emil Sodersten Interior Architecture Award annually in his honour.
Sodersten was born in the inner-Sydney suburb of Balmain, the second of seven children born to Julia (née Dolleen) and Emil Sodersteen. Emil Junior and his brothers, Erik and Karl, later changed their surnames by deed poll to Sodersten.
In 1915 Sodersten was articled in architecture to Ross & Rowe and in the ensuing five years studied at Sydney Technical College. During 1921 he attended lectures at the University of Sydney given by the new Dean of Architecture, Leslie Wilkinson.
The Queensland firm Hall & Prentice were commissioned to design Brisbane City Hall in the early 1920s and Sodersten worked on the project with Bruce Dellit and Peter Kaad. He returned to Sydney in 1923 and was registered as an architect whilst working for John P. Tate & Young. Two years later Sodersten went into private practice. In 1927-28 he became a council-member of the Institute of Architects of New South Wales and was made a fellow of the Royal Australian Institute of Architects in 1931. He entered the international competition to design the Australian War Memorial in Canberra. His design was considered exceptional but, as with most of those entered, was over budget. The only entry within budget was by John Crust and so the two architects were commissioned to work together on an amended design. Crust project managed the new building to Sodersten's even more monumental design. After conflict arose with Crust, Sodersteen withdrew in 1938.
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