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Emcee Lynx

Emcee Lynx
Emcee lynx.jpg
Emcee Lynx
Background information
Birth name Jedediah
Born September 1980
Origin Fremont, California, United States
Genres Hip hop
Celtic fusion
Political hip hop
Celtic hip hop
Occupation(s) Rapper, producer, songwriter
Instruments Vocalist, Producer
Years active 2001 - 2011
Labels Independent
Utopian
1312 Organization
Associated acts Beltaine's Fire[2]
Website Emcee Lynx

Lynx T'chass, or Emcee Lynx is an anarchist hip hop artist from the San Francisco Bay Area who achieved significant popularity and name-recognition in the West Coast hip hop and underground hip hop scenes and among anarchists and other radicals around the world. In 2006, he was described by Donegal Press magazine as "without a doubt one of the hottest rappers in the underground hip-hop scene today" and was described as "The next KRS-One" and the successor to House of Pain.

He used his music and writing both for self-expression and to advocate for political and social change. He performed at many anti-war, anti-capitalist, anti-globalization and other demonstrations, along with fund raisers and benefits for radical causes and community groups. He was also very active in Occupy Wall Street protests nationally, and at Occupy Oakland in particular, performing for the General Assembly on the first night of the occupation. His band, Beltaine's Fire donated the profits from sales of their third album, Anarchitecture [3] to OWS groups around the country. He has also recorded songs for benefit albums in support of various groups, including the Anarchist Black Cross and Iraq Veterans Against the War.

All of his solo music was independently produced and released on a 'pay what you can' basis via bandcamp and Jamendo as MP3s under a Creative Commons license. Fans are encouraged to donate to help cover costs but it is entirely optional. He is an outspoken supporter of file sharing and has stated that he looks forward to the day when file sharing and other decentralized means of distribution finally bankrupt the recording industry and leave issues of payment to be decided directly between artists and fans.


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