Elsie Janis
| Elsie Janis | |
|---|---|
The Theatre Magazine (November 1915)
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| Born |
Elsie Bierbower March 16, 1889 Columbus, Ohio |
| Died | February 26, 1956 (aged 66) |
| Other names | Little Elsie |
| Occupation | Actress |
| Years active | 1894 - 1940 |
| Spouse(s) | Gilbert Wilson |
| Parent(s) | John Eleazar Bierbower Jane Elizabeth Cockrell |
Elsie Janis (March 16, 1889 – February 26, 1956) was an American singer, songwriter, actress, and screenwriter. Entertaining the troops during World War I immortalized her as "the sweetheart of the AEF" (American Expeditionary Force).
Born Elsie Bierbower (or Beerbower) in Marion County, Ohio, she first took to the stage at age 2. By age 11, she was a headliner on the vaudeville circuit, performing under the name "Little Elsie". As she matured, using the stage name Elsie Janis, she began perfecting her comedic skills.
Acclaimed by American and British critics, Janis was a headliner on Broadway and London. On Broadway, she starred in a number of successful shows, including The Vanderbilt Cup (1906), The Hoyden (1907), The Slim Princess (1911), and The Century Girl (1916).
Elsie performed at the grand opening of the Brown Theatre in Louisville, Kentucky on October 5, 1925.
Janis also enjoyed a career as a Hollywood screenwriter, actor, and composer. She was credited with the original story for Close Harmony (1929) and as composer and production manager for Paramount on Parade (1930). She and director Edmund Goulding wrote the song "Love, Your Magic Spell Is Everywhere" for Gloria Swanson for her talkie debut film The Trespasser (1929). Janis's song "Oh, Give Me Time for Tenderness" was featured in the Bette Davis movie Dark Victory (1939), also directed by Goulding.
In 1934, Janis became the first female announcer on the NBC radio network.
Janis was a tireless advocate for British and American soldiers fighting in World War I. She raised funds for Liberty Bonds. Janis also took her act on the road, entertaining troops stationed near the front lines - one of the first popular American artists to do so in a war fought on foreign soil. Ten days after the armistice she recorded for HMV several numbers from her revue Hullo, America, including Give Me the Moonlight, Give Me the Girl. She wrote about her wartime experiences in The Big Show: My Six Months with the American Expeditionary Forces (published in 1919), and recreated them in a 1926 Vitaphone musical short, Behind the Lines.
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