Ellis R. Dungan
| Ellis Dungan | |
|---|---|
 |
|
| Born |
Ellis Roderick Dungan May 11, 1909 Barton, Ohio, U.S. |
| Died | December 1, 2001 (aged 92) Wheeling, West Virginia, U.S. |
| Occupation | Film director |
| Years active | 1935–87 |
| Spouse(s) | Elaine Dungan |
Ellis Roderick Dungan (May 11, 1909 – December 1, 2001) was an American film director, who was well known for working in Indian films, predominantly in Tamil cinema, from 1936 to 1950. He was an alumnus of the University of Southern California and moved to India in 1935. During his film career in South India, Dungan directed the debut films of several popular Tamil film actors, such as M. G. Ramachandran in Sathi Leelavathi,T. S. Balaiya and N. S. Krishnan.
An Irish-American, Dungan was born in Barton, Ohio, USA on May 11, 1909. He attended high school in St. Clairsville, where he played quarterback on the school football team. He bought his first box camera to take pictures for the school yearbook, for which he was editor-in-chief. He later enrolled at the University of Southern California in 1932 in the newly established Cinema Department.
In 1935, he came to India with his college mate Michael Ormalev at the invitation of another USC student - Manik Lal Tandon of Bombay. Tandon's family was then planning to enter the film industry. When those plans did not take off, Tandon invited them to Calcutta where he was directing the Tamil film Nandanar. There Tandon introduced them to A. N. Marudhachalam Chettiar, a film producer who was making the film Sathi Leelavathi and recommended Dungan be hired to direct the film as he himself was busy directing Nandanar . Thus Dungan made his directing debut with Sathi Leelavathi which was also the first film of future-Chief Minister of Tamil Nadu, M. G. Ramachandran. During 1936-50, Dungan made a number of Tamil films and one Hindi film - Meera (1947). Dungan had no knowledge of Indian languages, a problem which never affected his career as a director of films in Indian languages, especially Tamil. He introduced many new techniques to Indian cinema despite the technical limitations of that period. Many of his movies were based on the mythical characters of the Hindu religion and he had to shoot them in Hindu temples where non-Hindus were not allowed in those days. Dungan filmed his movies in the temples by passing himself off as a Kashmiri pundit. Dungan is credited with introducing modern make-up, the mobile camera and cabaret dance numbers to Tamil Cinema and moving it away from the influence of stage plays.For his introduction of intimate love scenes in Ponmudi (1950), Dungan was criticized by the press for introducing "vulgar" scenes and for "corrupting the population with American ways".
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