Elizabethan poetry

Elizabethan literature refers to bodies of work produced during the reign of Queen Elizabeth I (1558–1603), and is one of the most splendid ages of English literature.

Elizabeth I presided over a vigorous culture that saw notable accomplishments in the arts, voyages of discovery, the "Elizabethan Settlement" that created the Church of England, and the defeat of military threats from Spain.

During her reign a London-centred culture, both courtly and popular, produced great poetry and drama. English playwrights combined the influence of the Medieval theatre with the Renaissance's rediscovery of the Roman dramatists, Seneca, for tragedy, and Plautus and Terence, for comedy. Italy was an important source for Renaissance ideas in England and the linguist and lexicographer John Florio (1553–1625), whose father was Italian, a royal language tutor at the Court of James I, who had furthermore brought much of the Italian language and culture to England. He also translated the works of Montaigne from French into English.

Two of the most important Elizabethan prose writers were John Lyly (1553 or 1554 – 1606) and Thomas Nashe (November 1567 – c. 1601). Lyly is an English writer, poet, dramatist, playwright, and politician, best known for his books Euphues: The Anatomy of Wit (1578) and Euphues and His England (1580). Lyly's mannered literary style, originating in his first books, is known as euphuism. Lyly must also be considered and remembered as a primary influence on the plays of William Shakespeare, and in particular the romantic comedies. Lyly's play Love's Metamorphosis is a large influence on Love's Labour's Lost, and Gallathea is a possible source for other plays. Nash is considered the greatest of the English Elizabethan pamphleteers. He was a playwright, poet, and satirist, who is best known for his novel The Unfortunate Traveller.

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