Elizabeth Rex
| Elizabeth Rex | |
|---|---|
| Written by | Timothy Findley |
| Date premiered | June 29, 2000 |
| Place premiered | Tom Patterson Theatre Stratford, Ontario, Canada |
| Original language | English |
| Genre | Comedy-drama |
| Setting | A barn in Stratford-upon-Avon |
Elizabeth Rex is a play by Timothy Findley. It premiered in a 2000 production by the Stratford Festival. The play won the 2000 Governor General's Award for English language drama.
The plot involves a meeting between Queen Elizabeth I and an actor from Shakespeare's troupe who specializes in playing women's parts (since at that time women were not allowed to act in the theatre). The Queen had summoned them to perform Much Ado About Nothing for her as a diversion from waiting for the execution for treason of a man she may have loved, the Earl of Essex. She struggles with her feelings, knowing that her whole life she has had to act like a man in order to govern, and has had to reject her passionate side in order to remain unmarried. At the same time, Ned Lowenscroft, a gay man, has had to act like a woman in order to succeed in his profession, and conceal his passionate side since, being gay, his love is forbidden. He is currently mourning a soldier whom he loved, but who also gave him syphilis. His syphilis gives him skin lesions and the play hints that they are analogous to Kaposi's sarcoma of the modern day. The Queen rejects the idea that she should mourn, while Ned very much wishes to mourn and have his sorrow acknowledged.
This play takes place in two different barns on the night before the execution of the earl of Essex. There is a curfew on that night because the authorities are afraid that there will be riots. William Shakespeare is a supporting character in the play, writing down lines and exchanges between the characters that appear in his later plays, but not interacting much otherwise.
One of the play's central themes is challenging notions of gender, as each of the two protagonists has a problematic relationship with the way they enact their gender, and the ways they pretend to be a different gender. In one of the play's central lines, Elizabeth says to the actor, "if you will teach me how to be a woman, I will teach you how to be a man."
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