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Elena Nikolaidi


Elena Nikolaidi (Greek: Έλενα Νικολαΐδη; June 15, 1909 – November 14, 2002) was a noted Greek-American opera singer and teacher. Nikolaidi sang leading mezzo-soprano roles with major opera companies worldwide and made numerous recordings.

Her birth year is given as 1906 in some sources.

Elena Nikolaidi was born in Smyrna, Ottoman Empire (which is now İzmir, Turkey). In 1922, after the invasion of Turkey in Smyrna, she moved with her family to Greece. She studied voice on scholarship at the Athens Conservatoire under Thanos Mellos. She made her debut with orchestra in Athens in a performance conducted by Dimitris Mitropoulos. Her first stage appearance was in the premiere of The Ghost Bridge by Theophrastos Sakellaridis.

Nikolaidi married Mellos, her voice instructor, in 1936. However, she would retain "Elena Nikolaidi" as her professional name.

In 1936, Nikolaidi traveled to Vienna to compete in the Belvedere vocal competition. She placed fourth but earned a second hearing with the great conductor Bruno Walter, which resulted in her being cast as Princess Eboli, a leading role, in Verdi's opera Don Carlos with the Vienna State Opera on December 16, 1936. Nikolaidi was "an instant, memorable success." She became a star in Vienna; after one performance as Carmen she received an ovation reported as being between 15 and 30 minutes in length—the longest ever recorded there.

In 1948, Nikolaidi went to the United States with her husband and their son, Michael. She made her Town Hall debut recital in New York City in January 1949. The following morning, Jerome D. Bohm of the New York Herald Tribune wrote: "In 20 years of music reviewing and in twice that number spent in listening to most of the world's best singers, I have encountered no greater voice or vocalist"; the New York Times critic wrote of her "rare brilliance." She made her American operatic debut as Amneris in Verdi's Aïda with the San Francisco Opera and reprised the role for her Metropolitan Opera debut in 1951 alongside the debut of George London. In the early 1960s she retired from opera but continued concertizing extensively for a number of years.


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