Edward Duncan
| Edward Duncan | |
|---|---|
Portrait by Ferdinand Jean de la Ferté Joubert (1865)
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| Born |
21 August 1803 London, England |
| Died | 11 April 1882 (aged 78) London, England |
| Nationality | English |
| Known for | Painting |
Edward Duncan (1803–1882) was an English master painter, known for his watercolours of coastal views and shipping. He was a member of the Royal Society of Watercolours and received Royal patronage from Queen Victoria.
Edward Duncan was the son of Thomas Duncan (c1781-1841) and Peggy née Watson. He was born on 21 October 1803 at St Pancras in London. He was apprenticed to Robert Havell, the principal aquatint engraver of Audubon's Birds of America. Duncan was thus afforded frequent opportunities of studying the works of Havell's brother, the watercolorist, William Havell. These developed his taste for drawing and the use of colour.
After tutelage under the Havell Brothers in London, Duncan started his own engraving studio, and primarily created print works for Fores of Piccadilly. In 1826, a project to engrave maritime scenes, after paintings by William John Huggins (the official artist to the royal court of King William IV, and King George IV) are said to have sparked Duncan's interest in marine subjects.
In about 1835 Duncan married Huggins' daughter Berthia (1811-1884). The couple had six sons and one daughter, Berth(e)a. One of the sons was Walter Duncan, also a painter.
The influences of both Havell and Huggins undoubtedly led to Duncan's long and successful career as one of Britain's foremost marine watercolorists.
Edward Duncan was a painstaking artist with his preferred media. In addition to his early training as an engraver, he was skilled in oils, lithography and etching. Duncan's drawings comprise a wide range of subjects but his best known works depict coastal scenes with shipping and other marine craft.
Duncan also specialised in landscapes of the southern counties, often populated with animals and farms. In the face of the vogue for painting with body-colours, Duncan relied almost entirely on transparent colours. His watercolours are amongst the most technically defined and detailed paintings of the period and are considered to have a breadth and fluidity that bespeak the earlier traditions of British watercolour.
Duncan was a prolific exhibitor of his works, showing more than 40 at the Royal Academy and the Society of British Artists, and including more than 500 watercolors and drawings within the shows of the Old and New Watercolor Societies during his career. His works include;
• The Shipwreck. 1859. • The Life-Boat. 1860. • Blue Lights. • Oyster Dredgers — Swansea Bay. 1874. • Landing Fish on the Sands at Whitby. • Fishing Boats making for the Harbour of Boulogne — early morning. * Spithead from the Isle of Wight. 1857.
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