Edsel and Eleanor Ford House
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Location | 1100 Lake Shore Drive Grosse Pointe Shores, Michigan |
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Coordinates | 42°27′14.7″N 82°52′8.4″W / 42.454083°N 82.869000°WCoordinates: 42°27′14.7″N 82°52′8.4″W / 42.454083°N 82.869000°W |
Area | 87.5 acres (35.4 ha) |
Built | 1927 |
Architect |
Albert Kahn Jens Jensen |
Architectural style | English Cotswold |
NRHP Reference # | 79001164 |
Significant dates | |
Added to NRHP | July 24, 1979 |
Designated NHL | October 31, 2016 |
The Edsel and Eleanor Ford House is a mansion located at 1100 Lake Shore Drive in Grosse Pointe Shores, northeast of Detroit, Michigan; it stands on the site known as "Gaukler Point", on the shore of Lake St. Clair. The house became the new residence of the Edsel and Eleanor Ford family in 1929. Edsel Ford was the son of Henry Ford and an executive at Ford Motor Company. The estate's buildings were designed by architect Albert Kahn, its site plan and gardens by renowned landscape designer Jens Jensen. The property was listed on the National Register of Historic Places in 1979, and was designated a National Historic Landmark in 2016.
The Fords traveled to England with Albert Kahn for the concept's ideas, where they were attracted to the vernacular architecture of the Cotswolds. They asked Kahn to design a house that would resemble the closely assembled village cottages typical of that rural region. Kahn's design included sandstone exterior walls, a traditional slate roof with the stone shingles decreasing in size as they reach its peak, and moss with ivy grown across the house’s exterior. Construction on the house began in 1926.
While construction of the house itself took only one year, two years were spent fitting it with antique wood paneling and fireplaces brought from English Manor houses; interior fittings were in the hands of Charles Roberson, an expert in adapting old European paneling and fittings to American interiors. The Gallery, the largest room in the house, is paneled with sixteenth-century oak linenfold relief carved wood panelling. Its hooded chimneypiece is from Wollaston Hall in Worcestershire, England; the timber-framed house had been demolished in 1925 and its dismantled elements and fittings were in the process of being dispersed. Fourteenth century stained-glass window medallions were added to the house in the late 1930s. Roberson's barrel-vaulted ceiling for the Gallery was modeled on one at Boughton Malherbe, Kent, England. Paneling and doors in the Dining Room, entirely devoid of electricity, came from 'New Place', a victim of early twentieth-century expansion in Upminster, a new suburb of London. The Library's paneling and its stone chimneypiece came from the Brudenell seat, Deene Park, Northamptonshire, England. Harris suggests that this already once removed paneling had come from another 'Brudenell seat.' The Study has a wooden overmantel with the date 1585, from Heronden Hall, in Tenterden, Kent.