Edmonde Charles-Roux | |
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Edmonde Charles-Roux in 2011
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Born | Marie-Charlotte Élisabeth Edmonde Charles-Roux 17 April 1920 Neuilly-sur-Seine, Hauts-de-Seine, France |
Died | 20 January 2016 Marseille, Bouches-du-Rhône, France |
(aged 95)
Nationality | French |
Notable awards | Prix Goncourt |
Edmonde Charles-Roux (17 April 1920 – 20 January 2016) was a French writer.
Charles-Roux was born in 1920 at Neuilly-sur-Seine, the daughter of Francois Charles-Roux, the former French Ambassador to Czekoslavakia, a member of the Institut de France and the last chairman of the Suez Canal Company. Her paternal grandfather, Jules Charles-Roux, was a businessman and politician.
Charles-Roux was a volunteer nurse in World War II, at first in a French Foreign Legion unit, the 11th infantry regiment abroad. She was wounded at Verdun while bringing aid to a legionnaire.
Then she joined the Resistance, again as a nurse. After the landings in Provence, she was attached to the 5th Armored Division, where she performed as a nurse but also as a divisional social assistant. She also served in the 1st Foreign Cavalry Regiment (1er REC) and the Mechanized Regiment of the Foreign Legion (RMLE).
Decorated with the Croix de Guerre, she was made Chevalier de la Legion d'Honneur in 1945, and received the distinction of Vivandière d'honneur from the RMLE at the hands of , corps commander.
In 1946, she joined the staff of a magazine being created, a women's weekly: Elle, where she spent two years. From 1948, she worked for the French edition of Vogue, becoming the magazine’s editor-in-chief in 1954.
Reading Vogue democratized luxury while giving access to the most innovative artists of the time, whether such writers as Francois-Regis Bastide, Violette Leduc and Francois Nourissier or photographers such as Guy Bourdin, Henry Clarke or William Klein, or designers Christian Dior, Yves Saint Laurent and Emanuel Ungaro. By combining ready-to-wear and Pop Art, she connected fashion with any other form of creativity. She left Vogue Paris in 1966, as the result of a conflict for wanting to place a black woman on the cover of the magazine.