Eddie Duchin
| Eddy Duchin | |
|---|---|
Eddy Duchin in 1942 advertisement
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| Background information | |
| Birth name | Edwin Frank Duchin |
| Born |
April 1, 1909 Cambridge, Massachusetts, United States |
| Died | February 9, 1951 (aged 41) Manhattan, New York City, US |
| Genres | Jazz |
| Occupation(s) | Pianist, bandleader, actor |
| Instruments | piano |
| Years active | 1930–1951 |
| Labels | Columbia Records, Brunswick Records, Gold Mor Records |
| Associated acts | Peter Duchin |
Edwin Frank "Eddy" Duchin (April 1, 1909 – February 9, 1951) was a popular American pianist and bandleader of the 1930s and 1940s, famous for his engaging onstage personality, his elegant piano style, and his fight against leukemia. His children are Peter Duchin and Annette Kalten.
Edwin Frank Duchin was born on April 1, 1909 in Cambridge, Massachusetts to Bessarabian Jewish immigrants, Tillie (née Baron) (1885–March 21, 1962) and Frank Duchin (June 2, 1885–?). He was originally a pharmacist before turning full-time to music and beginning his new career with Leo Reisman's orchestra at the Central Park Casino in New York, an elegant nightclub where he became hugely popular in his own right and eventually became the Reisman orchestra's leader by 1932. He became widely popular thanks to regular radio broadcasts that boosted his record sales, and he was one of the earliest pianists to lead a commercially successful large band.
Playing what later came to be called "sweet" music rather than jazz, Duchin's success opened a new gate for similarly styled, piano-playing sweet bandleaders such as Henry King, Joe Reichman, Nat Brandwynne, Dick Gasparre, Little Jack Little, and particularly Carmen Cavallaro (who acknowledged Duchin's influence) to compete with the large jazz bands for radio time and record sales.
Duchin had no formal music training—which was said to frustrate his musicians at times—but he developed a style rooted in classical music that some saw as the forerunner of Liberace's ornate, gaudy approach. Still, there were understatements in Duchin's music. By no means was Duchin a perfect pianist, but he was easy to listen to without being rote or entirely predictable. He was a pleasing stage presence whose favourite technique was to play his piano cross-handed, using only one finger on the lower hand, and he was respectful to his audiences and to his classical influences.
Duchin would often use beautiful, soft-voiced singers such as Durelle Alexander and Lew Sherwood to accommodate his sweet and romantic songs, giving them extra appeal and making them more interesting.
Duchin's 1938 release of the Louis Armstrong song "Ol' Man Mose" (Brunswick Records 8155) with vocal by Patricia Norman caused a minor scandal at the time with the lyric "bucket" being heard as "fuck it." Some listeners conclude that there is no vulgarism uttered, while others are convinced that Norman does say "fuck" (which would explain one of the band members laughing delightedly after Norman seems to chirp, "Awww, fuck it... fuck-fuck-fuck it!").
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