Easter, 1916

Easter, 1916 is a poem by W. B. Yeats describing the poet's torn emotions regarding the events of the Easter Rising staged in Ireland against British rule on Easter Monday, April 24, 1916. The uprising was unsuccessful, and most of the Irish republican leaders involved were executed for treason. The poem was written between May and September 1916, but first published in 1921 in the collection Michael Robartes and the Dancer.

Even though a committed nationalist, Yeats usually rejected violence as a means to secure Irish independence, and as a result had strained relations with some of the figures who eventually led the uprising. The deaths of these revolutionary figures at the hands of the British, however, were as much a shock to Yeats as they were to ordinary Irish people at the time, who did not expect the events to take such a bad turn so soon. Yeats was working through his feelings about the revolutionary movement in this poem, and the insistent refrain that "a terrible beauty is born" turned out to be prescient, as the execution of the leaders of the Easter Rising by the British had the opposite effect to that intended. The killings led to a reinvigoration of the Irish Republican movement rather than its dissipation. The initial social and ideological distance between Yeats and some of the revolutionary figures is portrayed in the poem when, in the first stanza, the poem's narrator admits to having exchanged only "polite meaningless words" (6) with the revolutionaries prior to the uprising, and had even indulged in "a mocking tale or gibe" (10) about their political ambitions. However, this attitude changes with the refrain at the end of the stanza, when Yeats moves from a feeling of separation between the narrator and the revolutionaries, to a mood of distinct unity, by including all subjects of the poem in the last line with reference to the utter change that happened when the revolutionary leaders were executed by the British: "All changed, changed utterly: A terrible beauty is born." (15–16) These last lines of the stanza have rhythmic similarities to the popular ballads of the era as well as syntactic echoes of William Blake.

In the second stanza, the narrator proceeds to describe in greater detail the key figures involved in the Easter uprising, alluding to them without actually listing names. The female revolutionary described at the opening of the stanza is Countess Markievicz, who was well-known to Yeats and a long-time friend. The man who "kept a school/ And rode our winged horse" is a reference to Patrick Pearse, and the lines about Pearse's "helper and friend" allude to Thomas MacDonagh. In Yeats's description of the three, his torn feelings about the Easter uprising are most keenly communicated. He contrasts the "shrill" voice of Countess Markievicz as a revolutionary, with his remembrance of her uncomparably "sweet" voice when she was a young woman; and he contrasts the haughty public personae of Pearse against his impression of his "sensitive" nature, describing how "daring and sweet" his ideals were even though he and MacDonagh had to resort to "force".

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