East Country Yard
East Country Yard Show was an exhibition of contemporary art organized by Henry Bond and Sarah Lucas. It was on view between 31 May—22 June 1990. The exhibition was a "seminal" London group show which was significant in the subsequent development of the Young British Artists.
The show was presented in a large empty warehouse, the East Country Yard building, in South Dock, Rotherhithe within the 460-acre (1.9 km2) Surrey Commercial Docks complex. The docks were closed in 1969, and by 1990 were being redeveloped by a plethora of property development companies. One of them, Skillion—who had purchased several large buildings but had not yet begun to develop them—was approached by Bond. Reviewing the show in Time Out the art critic David Lillington said, "The East Country Yard is a gigantic complex of old warehouses in which each artist has a 200-foot-long room." Equally, writing in his book Lucky Kunst: The Rise and Fall of Young British Art, commentator Gregor muir said, "'East Country Yard' in South Dock, Docklands ... featured huge installations by Gary Hume and Anya Gallaccio, and could claim to have taken place in a space four times the size of Saatchi Gallery."
Writing in The Independent, art critic Andrew Graham-Dixon said,
Goldsmiths' graduates are unembarrassed about promoting themselves and their work: some of the most striking exhibitions in London over the past few months—"The East Country Yard Show", or "Gambler", both staged in docklands—have been independently organized and funded by Goldsmiths' graduates as showcases for their work. This has given them a reputation for pushiness, yet it should also be said that in terms of ambition, attention to display and sheer bravado there has been little to match such shows in the country's established contemporary art institutions. They were far superior, for instance, to any of the contemporary art shows that have been staged by the Liverpool Tate in its own multi-million-pound dockland site.
Writing in Artforum, Kate Bush said,
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