Eagles | ||||
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Studio album by the Eagles | ||||
Released | June 1, 1972 | |||
Recorded | February 1972 | |||
Studio | Olympic Studios, London | |||
Genre | ||||
Length | 37:19 | |||
Label | Asylum | |||
Producer | Glyn Johns | |||
the Eagles chronology | ||||
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Singles from Eagles | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic | |
Robert Christgau | B |
Rolling Stone |
Eagles is the debut studio album by the rock band the Eagles. The album was recorded at London's Olympic Studios with producer Glyn Johns and released in 1972. The album was an immediate success for the young band reaching No. 22 on the charts and going platinum. Three singles were released from the album, each reaching the Top 40: "Take It Easy" (No. 12), "Witchy Woman" (No. 9), and "Peaceful Easy Feeling" (No. 22). The band, starting with this album, played a major role in popularizing the country rock sound.
The album was ranked number 368 on Rolling Stone magazine's list of the 500 greatest albums of all time published in 2012. The single "Take It Easy" is part of the Rock and Roll Hall of Fame "500 Songs That Shaped Rock and Roll". This album was slated for Quadraphonic release and even given a Quadraphonic catalog number but it was never released in that format.
In 1971, the band had just been formed and signed by David Geffen, who then sent them to Aspen, Colorado, to develop as a band. For their first album, Glyn Johns was chosen as the producer by Glenn Frey, as Johns had produced a number of rock albums they liked, by bands such as The Rolling Stones, The Who and Led Zeppelin. Johns was invited by Geffen to see the band perform at a club called Tulagi in Boulder, Colorado, in December 1971. Johns, however, was not impressed by the band's live performance, thinking that the band was confused and lacking in cohesion — Frey wanted it to be a rock & roll band while Bernie Leadon wanted a country feel — so Johns declined to produce the album. Johns was persuaded by Geffen to have a second listen in a rehearsal setting in Los Angeles, but Johns did not change his opinion of the band until all four started singing harmonies with acoustic guitar on a ballad written by Meisner, "Take The Devil". Johns was impressed by their harmony singing, and later said: "There it was, the sound. Extraordinary blend of voices, wonderful harmony sound, just stunning." Johns emphasized the vocal blend of the band and has been credited with shaping the band into "the country-rock band with those high-flyin' harmonies".