Dynamic symmetry

Jay Hambidge (1867–1924) was a Canadian-born American artist who formulated the theory of "dynamic symmetry", a system defining compositional rules, which was adopted by several notable American and Canadian artists in the early 20th century.

He was a pupil at the Art Students' League in New York and of William Chase, and a thorough student of classical art. He conceived the idea that the study of arithmetic with the aid of geometrical designs was the foundation of the proportion and symmetry in Greek architecture, sculpture and ceramics. Careful examination and measurements of classical buildings in Greece, among them the Parthenon, the temple of Apollo at Bassæ, of Zeus at Olympia and Athenæ at Ægina, prompted him to formulate the theory of "dynamic symmetry" as demonstrated in his works Dynamic Symmetry: The Greek Vase (1920) and The Elements of Dynamic Symmetry (1926). It created a great deal of discussion. He found a disciple in Dr. Lacey D. Caskey, the author of Geometry of Greek Vases (1922).

In 1921, articles critical of Hambidge's theories were published by Edwin M. Blake in Art Bulletin, and by Rhys Carpenter in American Journal of Archaeology. Art historian Michael Quick says Blake and Carpenter "used different methods to expose the basic fallacy of Hambidge's use of his system on Greek art—that in its more complicated constructions, the system could describe any shape at all." In 1979 Lee Malone said Hambidge's theories were discredited, but that they had appealed to many American artists in the early 20th century because "he was teaching precisely the things that certain artists wanted to hear, especially those who had blazed so brief a trail in observing the American scene and now found themselves displaced by the force of contemporary European trends."

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