Established | 1817 |
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Location |
Dulwich London, SE21 United Kingdom |
Public transit access | North Dulwich; West Dulwich |
Website | dulwichpicturegallery.org.uk |
Dulwich Picture Gallery is an art gallery in Dulwich, South London. The gallery, designed by Regency architect Sir John Soane using an innovative and influential method of illumination, was opened to the public in 1817. It is the oldest public art gallery in England and was made an independent charitable trust in 1994. Until this time the gallery was part of Alleyn's College of God's Gift, a charitable foundation established by the actor, entrepreneur and philanthropist Edward Alleyn in the early-17th century. The acquisition of artworks by its founders and bequests from its many patrons resulted in Dulwich Picture Gallery housing one of the country's finest collections of Old Masters, especially rich in French, Italian and Spanish Baroque paintings and in British portraits from Tudor times to the 19th century.
Edward Alleyn (1566–1626) was an actor who became an entrepreneur in Elizabethan theatre. His commercial interests in the Rose and Fortune Theatres (a major competitor to the Globe Theatre), gave him sufficient wealth to acquire the Manor of Dulwich in 1605. He founded a college at Dulwich, 'the College of God's Gift', and endowed it with his estate. It was a school for boys and next to it were almshouses for the local poor. The college became three separate beneficiary schools – Dulwich College, Alleyn's School, and James Allen's Girls' School, named after an early-18th century headmaster. The college, the attached almshouses and chapel survive next to the gallery on Gallery Road, although its exterior has undergone extensive renovation.
Alleyn bequeathed the college of a collection of works including portraits of the kings and queens of England. The college retained connections with the theatre and in 1686, the actor William Cartwright (1606–1686) bequeathed a collection of 239 pictures, of which 80 are now identifiable at Dulwich.
In the 18th century, the collection was displayed on the first floor of the wing of the Old College. It attracted few additions during this period, and recorded descriptions of the gallery suggest disappointment and apathy from its visitors. The art historian and Whig politician Horace Walpole wrote that he saw "a hundred mouldy portraits among apostles sibyls and kings of England".