Drug use in music

Drug use in music has been a topic of discussion and debate since at least the 1930s if not earlier. As stated in the old saying 'wine, women and song', association of music with using various substances go back centuries. References to recreational drug use in various forms have been common as the modern record industry developed, particularly in terms of popular music genres such as pop rock singles, dance releases, and the like. Social, cultural, legal, and economic challenges to the existence of music referring to recreational drugs have prompted several studies on the link between such references and increased usage among teens and young adults. Findings over multiple decades have had mixed results. Many complicating factors exist; in particular, a song that describes substance abuse in a depressive, emotionally blank fashion may trigger curiosity for one listener as well as revulsion for another. Sporadic calls for music censorship in different counties over the past decades have also had vastly different outcomes depending on the nation.

Multiple musical artists have attracted a public image associated with neutral to positive depictions of drug use in their releases, while others have created works with negative depictions of drug use that condemn individuals such as dealers and suppliers. These issues cut across lines of nationality, age, race, gender, and musical genre, with contrasting examples such as hard rocker Pete Townshend of The Who (labeling irresponsible musical artists who defy their fans and embrace materialistic drug use as "decadent assholes") as well as dance pop star Miley Cyrus (being openly frank about her embrace of cocaine and MDMA usage) both getting press attention for their views. As well, some artists argue that popular interpretations of their work misunderstand the intent, such as country and folk star John Denver having to persuade critics against hearing hidden innuendo in his hit song "Rocky Mountain High".

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