Drone Music
| Drone music | |
|---|---|
| Stylistic origins | |
| Cultural origins | Early 1960s United States |
| Typical instruments |
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| Derivative forms | |
| Fusion genres | |
| Drone metal | |
| Other topics | |
| Dark ambient | |
Drone music,drone-based music, or simply drone, is a minimal music genre that emphasizes the use of sustained or repeated sounds, notes, or tone-clusters – called drones. It is typically characterized by lengthy audio programs with relatively slight harmonic variations throughout each piece. La Monte Young, one of its 1960s originators, defined it in 2000 as "the sustained tone branch of minimalism".
Music which contains drones and is rhythmically still or very slow, called "drone music", can be found in many parts of the world, including bagpipe traditions, among them Scottish pibroch piping; didgeridoo music in Australia, South Indian classical Carnatic music and Hindustani classical music (both of which are accompanied almost invariably by the tambura, a plucked, four-string instrument which is only capable of playing a drone); the sustained tones found in the Japanese gagaku classical tradition; possibly (disputed) in pre-polyphonic organum vocal music of late medieval Europe; and the Byzantine chant's ison (or drone-singing, attested after the fifteenth century). Repetition of tones, supposed to be in imitation of bagpipes, is found in a wide variety of genres and musical forms.
The modern genre also called drone music (called "dronology" by some books, labels and stores, to differentiate it from ethnic drone-based music) is often applied to artists who have allied themselves closely with underground music and the post-rock or experimental music genres. Drone music also fits into the genres of found sound, minimalist music,dark ambient, drone doom/drone metal, and noise music.
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