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Dracula: Dead and Loving It

Dracula: Dead and Loving It
Drac dead and loving it.jpg
Theatrical release poster
Directed by Mel Brooks
Produced by Mel Brooks
Executive:
Peter Schindler
Screenplay by Mel Brooks
Rudy De Luca
Steve Haberman
Story by Rudy De Luca
Steve Haberman
Based on Dracula characters
by Bram Stoker
Starring
Music by Hummie Mann
Cinematography Michael D. O'Shea
Edited by Adam Weiss
Production
company
Distributed by Columbia Pictures
Release date
  • December 22, 1995 (1995-12-22)
Running time
90 minutes
Country United States
France
Language English
German
Budget $30 million
Box office $10.7 million
Dracula: Dead And Loving It
Soundtrack album by Hummie Mann
Released 1996
Genre Film Score
Length 36:09
Label Castle Rock Entertainment

Dracula: Dead and Loving It is a 1995 satirical comedy horror film directed by Mel Brooks and starring Leslie Nielsen. It is a spoof of Bram Stoker's novel Dracula, and of some of the films it inspired. As of 2016, this is the most recent film Brooks has directed.

Brooks co-authored the screenplay with Steve Haberman and Rudy De Luca. He also appears as Dr. Van Helsing. The film's other stars include Steven Weber, Amy Yasbeck, Peter MacNicol, Harvey Korman, and Anne Bancroft.

The film follows the classic Dracula (1931), starring Bela Lugosi, in its deviations from the novel. Its visual style and production values are particularly evocative of the Hammer Horror films. It spoofed, among other films, The Fearless Vampire Killers (1967) and Bram Stoker's Dracula (1992).

Solicitor Thomas Renfield travels all the way from London to "Castle Dracula" in Transylvania to finalize Count Dracula's purchase of Carfax Abbey in England. As the stagecoach driver refuses to take him any further, Renfield continues on foot despite turning back.

Renfield meets Count Dracula, a charming but rather strange man who is a vampire. He then casts a hypnotic spell on the highly suggestible Renfield, making him his slave. Dracula and Renfield soon embark for England. During the voyage, Dracula dines upon the ship's crew. When the ship arrives and Renfield, (by this time raving mad in the style of Dwight Frye), is discovered alone on the ship, he is confined to a lunatic asylum.


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