Downtown Country | ||||
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Studio album by Connie Smith | ||||
Released | January 1967 | |||
Recorded | August 25, 1966 – October 27, 1966 | |||
Genre | Country | |||
Label | RCA Victor | |||
Producer | Bob Ferguson | |||
Connie Smith chronology | ||||
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Singles from Downtown Country | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic |
Downtown Country is the sixth studio album by American country artist, Connie Smith. The album was released in January 1967 on RCA Victor Records and was produced by Bob Ferguson. The album featured Smith's major hit singles from 1966, "The Hurtin's All Over," which peaked within the Top 5 on the Billboard Magazine Country chart.
Downtown Country was a departure from Smith's previous albums, as most of the material was more Pop-oriented and featured cover versions of Pop music material as well. Violins, violas, and other orchestral arrangements were incorporated into the album's material to add a more Pop-sounding style. The album consisted of twelve tracks, many of which were cover versions, including Petula Clark's "Downtown," Elvis Presley's "It's Now or Never," Sandy Posey's "Born a Woman," Lynn Anderson's "Ride, Ride, Ride," and Connie Francis's "My Heart Has a Mind of Its Own." The album was released on a 12-inch vinyl LP record with six songs on each side of the record, and was recorded in Nashville, Tennessee. Reviewed by Allmusic, Downtown Country was a given a rating of four out of five stars.
Downtown Country spawned only one single, the Harlan Howard-penned, "The Hurtin's All Over." Released in September 1966, the song became a major country hit, peaking within the Top 5, reaching #3 on the Billboard Magazine Hot Country Songs chart in early 1967. In addition, the album itself also reached a peak position. Downtown Country reached a peak of #5 on Billboard's Top Country Albums chart, becoming Smith's last Top 5 album. It was Smith's first album to be released in 1967 as well.