Doppelgänger (Curve album)
| Doppelgänger | ||||
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| Studio album by Curve | ||||
| Released | 9 March 1992 | |||
| Recorded | July – October 1991 | |||
| Studio | Todal Studios (Kilburn, London) |
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| Genre | ||||
| Length | 42:27 | |||
| Label |
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| Producer | Curve and Flood | |||
| Curve chronology | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| AllMusic |   |
| Entertainment Weekly | C |
| Melody Maker | (mixed) [1] |
| NME | 7/10 [2] |
| Q |
 |
| Select |
[3]
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| Spin | (very positive) [4] |
Doppelgänger is the debut studio album by British alternative band Curve. It was released on 9 March 1992 by Anxious Records in the United Kingdom, and by Charisma Records in the United States.
A continuation of the musical idiom established by the group on its three earlier EPs, the record combines elements of dance music and alternative rock with the reverb- and distortion-heavy stylings of "shoegazing".
In 2016, Pitchfork Media ranked the album at number 40 in its list of "The 50 Best Shoegaze Albums of All Time", with Stephen Thomas Erlewine of the site saying:
"Curve’s great innovation was marrying densely cloistered electronic rhythms with the approaching onslaught of noise-pop. Prior to their 1992 debut Doppelgänger, such a blend didn't exist, but Curve pioneered the sound that eventually became widespread; their own doppelgänger, Garbage, made a mint with this fusion just a few years later. Curve have stronger ties to shoegaze than Garbage, however, not just because of their timing but also their articulation: Vocalist Toni Halliday and multi-instrumentalist Dean Garcia favor fuzziness in sound and style, letting aesthetics bleed together, preferring sensation over sculpted song. On Doppelgänger, the duo demonstrates a strong melodic sense that’s as apparent in the riffs and rhythms as the verses themselves. Halliday also remains unique in shoegaze: She’s a singer who pushes herself to the forefront, stealing attention from the tidal waves of noise and distortion that surround her."
Awarding the album four out of five in Q, David Cavanagh wrote, "Every song here is swimming in guitars – mashed, chewed, flanged, compressed, squally, howling, whatever. But no matter how cacophonous the music gets (and 'Ice That Melts the Tips' sounds as though three guitars are beating the crap out of a fourth), Halliday's voice is terrifically sensual and seductive, sounding just the pretty side of evil. As keen subscribers to the interpret-how-thou-wilt school of lyric writing, Curve's possible grievances are most addressed using drums and guitars: 'Faît Accompli', the new single, is a singalonga-schizoid affair, tuneful but menacing; 'Think and Act' has a touch of 'Where the Streets Have No Name' guitars, but it's way tougher. Variations in mood are slight – a little slowing down for 'Lillies Dying'; some Indian sampling for 'Horror Head' – until the final song, a cold, grey ballad called 'Sandpit' that only adds to Doppelgänger's shopping list of unexplained treats."
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Wikipedia