Don Thompson | |
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Don Thompson
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Born |
Long Beach, California, U.S. |
October 19, 1956
Nationality | American |
Alma mater | UCLA |
Occupation | producer, filmmaker, playwright |
Years active | 1982–present |
Spouse(s) | Diana Takata |
Don Thompson is an American producer, filmmaker and playwright. He is most notable for the film Clouds, the Sundance and Cinema for Peace award-winning documentary Tibet in Song, and the plays L.A. Book of the Dead,Tibet Does Not Exist and Democracy: A Work in Progress.
Thompson attended UCLA Film School, and was mentored by Richard Walter, Chair of UCLA’s screenwriting program.
While at UCLA, Thompson developed a full-length screen play that was a finalist in the Samuel Goldwyn screenwriting awards.
Thompson’s first major creative success was the anti-war play L.A. Book of the Dead which was first performed at the Ensemble Studio Theatre, Los Angeles, in 1982 (director Renee Tadlock).L.A. Book of the Dead was revived in 1987 by the Rough Theater Company, and continued to be performed as a reader’s theater piece throughout the 1990s.
In 1995, his play Tibet Does Not Exist was first performed at the Gene Frankel theater in New York City and later, Off-Broadway (1997) by the Theater for Human Rights. The play was also performed at Oregon Stage Works in 2005 and revived at Nicu’s Spoon Theater in New York City in 2009. The play was published in paperback in 1998 with a foreword by Robert Thurman and the Dalai Lama.
Thompson has also developed two plays through the Maryland Ensemble Theater, Democracy: A Work in Progress (2004) and The God of this World (2015).The God of this World was published by Indie Theater Now in 2016 and included in ITN's Plays and Playwrights 2017 anthology.
In 1999, Thompson produced, directed and wrote his first feature film, Clouds, based on a screenplay he developed while at UCLA. The film won awards, including Best New Director at the Brooklyn Film Festival, a Feature Film award at the New York Independent Film Festival, and Juror’s Choice for Narrative Feature at the Brooklyn Arts Council Film and Video Festival.William Arntz was a producer on the project, and also a co-producer of Thompson’s play, Tibet Does Not Exist.