Don Carlo
| Don Carlos | |
|---|---|
| Opera by Giuseppe Verdi | |
Carlo Cornaglia's depiction of Act IV (the original Act V) in the 1884 La Scala production
|
|
| Librettist | |
| Language | French |
| Based on |
Don Carlos by Friedrich Schiller (plus incidents borrowed from a contemporary play by Eugène Cormon) |
| Premiere | 11 March 1867 Salle Le Peletier (Paris Opéra) |
Don Carlos is a five-act grand opera composed by Giuseppe Verdi to a French-language libretto by Joseph Méry and Camille du Locle, based on the dramatic play Don Carlos, Infant von Spanien (Don Carlos, Infante of Spain) by Friedrich Schiller. The opera is usually performed in Italian. In addition, it has been noted by David Kimball that the Fontainebleau scene and auto da fé "were the most substantial of several incidents borrowed from a contemporary play on Philip II by Eugène Cormon".
The opera's story is based on conflicts in the life of Carlos, Prince of Asturias (1545–1568). Though he was betrothed to Elisabeth of Valois, part of the peace treaty ending the Italian War of 1551–1559 between the Houses of Habsburg and Valois demanded that she be married instead to his father Philip II of Spain. It was commissioned and produced by the Théâtre Impérial de l'Opéra (Paris Opera) and given its premiere at the Salle Le Peletier on 11 March 1867.
When performed in one of its several Italian versions, the opera is generally called Don Carlo. The first Italian version given in Italy was in Bologna in March 1867. Revised again by Verdi, it was given in Naples in November/December 1872. Finally, two other versions were prepared: the first was seen in Milan in January 1884 (in which the four acts were based on some original French text which was then translated). That is now known as the "Milan version", while the second—also sanctioned by the composer—became the "Modena version" and was presented in that city in December 1886. It restored the "Fontainebleau" first act to the Milan four-act version.
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