Don't Look Now | |
---|---|
Original film poster
|
|
Directed by | Nicolas Roeg |
Produced by | Peter Katz |
Screenplay by |
Allan Scott Chris Bryant |
Based on | "Don't Look Now" by Daphne du Maurier |
Starring |
Julie Christie Donald Sutherland |
Music by | Pino Donaggio |
Cinematography | Anthony B. Richmond |
Edited by | Graeme Clifford |
Production
company |
Casey Productions
Eldorado Films |
Distributed by | British Lion Films |
Release date
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16 October 1973 |
Running time
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110 minutes |
Country | United Kingdom Italy |
Language | English |
Budget | $1.1 million |
Actor | Role | |
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Julie Christie | Laura Baxter | |
Donald Sutherland | John Baxter | |
Hilary Mason | Heather | |
Clelia Matania | Wendy | |
Massimo Serato | Bishop Barbarrigo | |
Renato Scarpa | Inspector Longhi | |
Giorgio Trestini | Workman | |
Leopoldo Trieste | Hotel Manager | |
David Tree | Anthony Babbage | |
Ann Rye | Mandy Babbage | |
Nicholas Salter | Johnny Baxter | |
Sharon Williams | Christine Baxter | |
Bruno Cattaneo | Detective Sabbione | |
Adelina Poerio | Dwarf |
Don't Look Now is a 1973 independent British-Italian film directed by Nicolas Roeg. It is a thriller adapted from the short story by Daphne du Maurier. Julie Christie and Donald Sutherland portray a married couple who travel to Venice following the recent accidental death of their daughter, after the husband accepts a commission to restore a church. They encounter two sisters, one of whom claims to be clairvoyant and informs them that their daughter is trying to contact them and warn them of danger. The husband at first dismisses their claims, but starts to experience mysterious sightings himself.
While Don't Look Now observes many conventions of the thriller genre, it focuses on the psychology of grief and the effect the death of a child can have on a relationship. Its depiction of grief has been identified as unusually strong for a film featuring supernatural plot elements.
Don't Look Now is renowned for its innovative editing style and its use of recurring motifs and themes and for a controversial sex scene that was explicit for its time. The film often employs flashbacks and flashforwards in keeping with the depiction of precognition, but some scenes are intercut or merged to alter the viewer's perception of what is really happening. It adopts an impressionist approach to its imagery, often presaging events with familiar objects, patterns and colours using associative editing techniques.
Its reputation has grown in the years since its release and it is now considered a classic and an influential work in horror and British film.
Some time after the drowning of their young daughter, Christine (Sharon Williams), in a tragic accident at their English country home, John Baxter (Donald Sutherland) and his grief-stricken wife, Laura (Julie Christie), take a trip to Venice after John accepts a commission from a bishop (Massimo Serato) to restore an ancient church. Laura encounters two elderly sisters, Heather (Hilary Mason) and Wendy (Clelia Matania), at a restaurant where she and John are dining; Heather claims to be psychic and—despite being blind—informs Laura she is able to "see" the Baxters' deceased daughter. Shaken, Laura returns to her table, where she faints.