Domenico Brescia

Domenico Brescia (1866–1939) was an Italian composer who taught in Chile and Ecuador, then became known in the United States for writing chamber music as well as musical accompaniment for dramatic performances. Brescia led the Music Theory department at Mills College.

Brescia was born in Pirano, near Trieste in 1866, at a time when the area was part of the Austrian Empire. After studying at the University of Bologna he became a member of the Royal Academy of Bologna as well the Royal Academy of Florence.

Brescia went to Santiago, Chile to teach harmony at the national conservatory, and eventually became the assistant director of the school. There, he met Ulderico Marcelli who was studying violin, brass and composition. In 1903, Brescia followed Marcelli to Quito, Ecuador to become the director of the conservatory there, picking up some of sour-tempered Marcelli's unhappy students. Brescia was the first Western composer to utilize native Ecuadorean elements in his works, including the successful Sinfonia Ecuatoriana. Brescia influenced two students who would later make names for themselves in Ecuadorian contemporary music: Segundo Luis Moreno and Luis H. Salgado. Marcelli left for San Francisco in 1910 and, due to Ecuador's increasing political unrest, Brescia left the country in 1911. By 1914, he had settled in San Francisco teaching voice and composing music.

In 1919, Brescia wrote the musical accompaniment to Life, a Grove Play performed at the Bohemian Grove. Ecuadorian Indian moods were used in two musical numbers. Brescia wrote in the notes to the score that he thought it was the first time that a chromatic set of cowbells, spanning an octave and a half, had been used as a symphony instrument. Brescia brought Marcelli into the Bohemian Club where Marcelli wrote the music for the next year's Grove Play. In 1926, Brescia worked with writer George Sterling to compose the music for Sterling's Grove Play entitled Truth.

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