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Dmitry Aynalov

Dmitry Aynalov
Надгробие Айналова Д В.JPG
Aynalov's tombstone at the Volkovo Cemetery
Native name Дмитрий Власьевич Айналов
Born (1862-02-20)February 20, 1862
(8 February O.S.)
Mariupol, Russian Empire
Died December 12, 1939(1939-12-12) (aged 77)
Leningrad, USSR
Resting place Volkovo Cemetery
Education Doctor of Arts
Alma mater Novorossiya University
Occupation art historian, a corresponding member of the Saint Petersburg Academy of Sciences
Employer Saint Petersburg State University
Spouse(s) Nadezhda Aynalova (1876—1954)

Dmitry Vlasyevich Aynalov (Russian: Дми́трий Вла́сьевич Айна́лов, IPA: [ˈdmʲitrʲɪj ˈvlasjevʲɪtɕ əjˈnalɐf]; 20 February (8 February O.S.) 1862—12 December 1939) was a Soviet and Russian art historian, a university professor, a corresponding member of the Saint Petersburg Academy of Sciences (1914), and a member of the Imperial Orthodox Palestine Society. Penned more than 200 scholarly publications, including articles, lectures, reviews.

Aynalov was born in Mariupol, Yekaterinoslav Governorate, on 20 February (8 February O.S.) 1862 in the family of a tradesman Vlasiya Dmitrievich Aynalov. His father was of part Greek descent. Dmitry Aynalov graduated from Mariupol Gymnasium in 1884 and then entered the History and Philology Department of the Novorossiya University in Odessa. He majored in art history and studied under the prominent art critic and archaeologist Nikodim Kondakov. He completed his student thesis in collaboration with Yegor Redin on the topic of the painting of the Saint Sophia's Cathedral. It was published in Saint Petersburg in 1889.

After graduation in 1888 Dmitry Aynalov was assigned to the Saint Petersburg State University. For two years he was preparing to become a full professor in the field of art theory and art history. He accepted the position of an assistant professor at the Kazan University. In 1890-1903 he taught art history of the Classical antiquity and Kievan Rus' at that university's Department of Art Theory and Art History. He visited Italy in order to collect material for his dissertation, entitled The Hellenistic Foundations of the Byzantine Art. He explored the works of art and monuments of Rome, Venice, Naples, Palermo, Parma, Florence and visited other Italian towns. After five years of work he successfully defended the dissertation on 27 November 1895.


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