Djaoeh Dimata
| Djaoeh Dimata | |
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Newspaper advertisement, Surabaya
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| Directed by | Andjar Asmara |
| Written by | Andjar Asmara |
| Starring | |
| Cinematography | A.A. Denninghoff-Stelling |
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Production
company |
South Pacific Film Corporation
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Release date
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| Country | |
| Language | Indonesian |
Djaoeh Dimata ([dʒaˈu diˈmata]; Perfected Spelling: Jauh Dimata; Indonesian for Out of Sight) is a 1948 film from what is now Indonesia written and directed by Andjar Asmara for the South Pacific Film Corporation (SPFC). Starring Ratna Asmara and Ali Joego, it follows a woman who goes to Jakarta to find work after her husband is blinded in an accident. SPFC's first production, Djaoeh Dimata took two to three months to film and cost almost 130,000 gulden.
The first domestically produced feature film to be released in five years, Djaoeh Dimata received favourable reviews, although financially it was outperformed by Roestam Sutan Palindih's Air Mata Mengalir di Tjitarum (released soon after). The film's cast remained active in the Indonesian film industry, some for another thirty years, and SPFC produced six more works before closing in 1949. A copy of the film is stored at Sinematek Indonesia.
A poor villager, Asrad (Ali Joego), is blinded following a traffic accident and thus unable to work. As a result, his wife Soelastri (Ratna Asmara) travels to the capital, Jakarta, to find a job. As Asrad does not trust his wife and fears she may be unfaithful, he writes her a letter telling her to not come back. Soelastri becomes a singer, and – unknown to Asrad – soon achieves wide acclaim. Her most popular song, "Djaoeh Dimata", receives heavy airplay on the radio and soon becomes one of Asrad's favourites. Ultimately Soelastri is brought home by Soekarto (Iskandar Sucarno), who attempts to pass her off as a maid for Asrad. When Asrad recognises his wife's voice, they are reconciled.
The first two years of the 1940s saw a growth in the cinema of the Dutch East Indies, with over forty domestic productions released. Following the Japanese occupation in February 1942, production slowed greatly and nearly all film studios were closed. The last studio, the ethnic Chinese-owned Multi Film, was confiscated by the Japanese to establish the film production company Nippon Eigasha in Jakarta, the colony's capital. This included Multi Film's equipment, with which Nippon Eigasha produced one feature film – Rd Ariffien's Berdjoang (Struggle; 1943) – six short films, and several newsreels. All were pro-Japanese propaganda.
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