Dissolving views were a popular type of 19th century magic lantern show exhibiting the gradual transition from one projected image to another. The effect is similar to a dissolve in modern filmmaking. Typical examples had landscapes that dissolved from day to night or from summer to winter. The effect was achieved by aligning the projection of two matching images and slowly diminishing the first image while introducing the second image. The subject and the effect of magic lantern dissolving views is similar to the popular Diorama theatre paintings which originated in Paris in 1822. The terms "dissolving views", "dioramic views", or simply "diorama" were often used interchangeably in 19th century magic lantern playbills.
While most dissolving views showed landscapes or architecture in different light, the effect was also used in other ways. For instance, Henry Langdon Childe showed groves changing into cathedrals. Another popular example has a soldier sleeping or daydreaming on the battlefield, with dissolving views displaying several of his dreams about home above his head.
The dissolve effect was reportedly invented by phantasmagoria pioneer Paul de Philipsthal while in Ireland in 1804. He thought of using two lanterns to make the spirit of Samuel appear out of a mist in his representation of the Witch of Endor. While working out the desired effect, he got the idea of using the technique with landscapes. Information about De Philipsthal's activities after 1804 is limited, so it remains unclear whether he did incorporate the effect in his shows before other lanternists developed their own versions. Surviving playbills of his shows seem to focus on the exhibition of automata, besides "experiments in optics, aeronautics, hydraulics and pyrotechnics". Some bills do not even mention any optical effects. However, an 1812 newspaper about a London performance indicates that De Philipsthal presented "a series of landscapes (in imitation of moonlight), which insensibly change to various scenes producing a very magical effect". After a few other lanternists had presented similar shows, De Philipsthal returned from retirement in December 1827 with a show that included "various splendid views (...) transforming themselves imperceptibly (as if it were by Magic) from one form into another".
Another possible inventor is Henry Langdon Childe, who purportedly once worked for De Philipsthal. He is said to have invented the dissolving views in 1807 and to have improved and completed the technique in 1818. However, there's no documentation of Childe performing with a magic lantern before 1827. That year he presented "Scenic Views, showing the various effects of light and shade" with a series of subjects that would become classics in many dissolving view shows, while some had already been subjects in the London Diorama the years before.