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Dirty Dozen Brass Band

Dirty Dozen Brass Band
Dirty Dozen Brass Band 2014.jpg
Dirty Dozen Brass Band in 2014
Background information
Origin New Orleans, Louisiana
Genres Jazz, New Orleans R&B, Jazz fusion, Second Line, Funk, Soul, Jam Band
Years active 1977–present
Labels Concord Jazz, Rounder, Columbia, Mammoth, Ropeadope Records, Shout! Factory
Associated acts Modest Mouse, Widespread Panic
Website www.dirtydozenbrass.com
Members Gregory Davis - trumpet, vocals
Roger Lewis - baritone, soprano sax
Kevin Harris - Tenor saxophone
Terence Higgins - Drums
Jake Eckert - Guitar (touring band)
Efrem Towns - Trumpet, flugelhorn
Kirk Joseph - Sousaphone
Past members Charles Joseph - Trombone
Lionel Batiste - Bass drum
Benny Jones - Bass drum
Jenell Marshall - Snare drum
Big Sam - Trombone
Jamie McLean - Guitar
Julius McKee - Sousaphone
Revert Andrews - Trombone

The Dirty Dozen Brass Band is a New Orleans, Louisiana, brass band. The ensemble was established in 1977 by Benny Jones together with members of the Tornado Brass Band. The Dirty Dozen revolutionized the New Orleans brass band style by incorporating funk and bebop into the traditional New Orleans jazz style, and has been a major influence on the majority of New Orleans brass bands since.

The Dirty Dozen Brass Band ultimately grew out of the youth music program established by Danny Barker at New Orleans' Fairview Baptist Church. In 1972 Barker started the Fairview Baptist Church Marching Band with the goal of providing young people with a positive outlet for their energies. The band achieved considerable local popularity and transformed itself into a professional outfit led by trumpeter Leroy Jones and known as the Hurricane Brass Band. By 1976, however, opportunities for brass bands were drying up; Jones left the group to play mainstream jazz and, after a brief period as the Tornado Brass Band, the group fell apart.

Nevertheless, a few of the musicians from the Tornado band—trumpeter Gregory Davis, sousaphonist Kirk Joseph, trombonist Charles Joseph, and saxophonist Kevin Harris–continued to rehearse together into 1977, and they were joined by Efrem Townes (trumpeter/lead singer) and Roger Lewis on saxophone and Benny Jones and Jenell Marshall on drums. By this point the popularity of brass band music in New Orleans was at a low ebb, and paying gigs were rare, a circumstance which influenced the early development of the band. As Davis describes it,


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