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Dinoshark

Dinoshark
Dinoshark DVD.jpg
DVD cover
Written by Frances Doel
Guy Prevost
Directed by Kevin O'Neill
Starring Eric Balfour
Theme music composer Cynthia Brown
Country of origin United States
Original language(s) English
Production
Producer(s)

Roger Corman
Julie Corman

co-producer Robert Roessel
Cinematography Eduardo Flores Torres
Editor(s) Vikram Kale
Olena Kuhtaryeva
Running time 90 minutes
Budget $2,000,000 (estimated)
Release
Original network Syfy
Original release March 13, 2010
(United States)
January 21, 2011
(Japan)

Roger Corman
Julie Corman

Dinoshark is a 2010 low budget Syfy horror film. It was shown on Syfy on March 13, 2010.

The film premiered on Syfy on the evening of March 13, 2010 before 2 million viewers.Dinoshark followed up Dinocroc; Roger Corman proposed a sequel (Dinocroc 2) but Syfy felt that television audiences tended to respond better to new-but-similar ideas more than direct sequels. April MacIntyre, of Monsters and Critics, compared the film to old B movies. A sequel titled Dinocroc vs. Supergator was released on June 26, 2010. Roger Corman said that while the plot is hard to believe, the film can be enjoyed if belief is suspended and that the film is internally consistent.

The film is a remake of the 1979 film Up from the Depths.

Dinoshark has been described as Dinocroc with flippers. Before the film was released, Margaret Lyons of Entertainment Weekly said that this along with Sharktopus were destined to be classics of the "awesomely awful made-for-TV movie genre".

The film opens with a baby dinoshark swimming away from a broken chunk of Arctic glacier that calved due to global warming. Three years later, the dinoshark is a ferocious predatory adult and kills tourists and locals offshore from Puerto Vallarta, Mexico. The protagonist, Trace, is first to notice the Dinoshark and witnesses his friend get eaten, but has trouble convincing people that a creature of such antiquity is still alive and eating people.

Critics and reviewers tended to share similar views on the nature of the film, seeing it as a continuation in the tradition of older B movie horror/monster films, with the implausible plots, stock sequences and questionable acting typical of that genre.


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