Dieter Roth

Dieter Roth
Rhode Island, USA, 1965
Born	Karl-Dietrich Roth (1930-04-21)April 21, 1930 Hannover, Germany
Died	June 5, 1998(1998-06-05) (aged 68) Basel, Switzerland
Nationality	Icelandic
Known for	Painting, Artist's books, Printmaking, Installation, Sculpture, Poetry
Notable work	Literaturwurst
Movement	Concrete art, Op Art, Fluxus, Maximalism

Dieter Roth (April 21, 1930 – June 5, 1998) was a Swiss artist best known for his artist's books, editioned prints, sculptures, and works made of found materials, including rotting food stuffs. He was also known as Dieter Rot and Diter Rot.

The dark undertone and furious, obsessive energy of his work ultimately separated him from many of the more lighthearted Fluxus artists. Perhaps despite himself, he was a fluent draftsman and expert printmaker, and his drawings and prints contained his wild energy within peculiarly virtuosic forms. Compared to the innumerable self-described artists of the last several decades who faked their way through his sort of work, Mr. Roth was the genuine item.

He was born Karl-Dietrich Roth in Hannover, the first of three sons. His mother Vera was German; his father Karl-Ulrich was a Swiss businessman. After the beginning of World War II, Roth was to spend each summer in Switzerland at the behest of the Swiss charity Pro Juventute, a group trying to protect Swiss-German children from the worst ravages of the war. By 1943 the exile had become permanent, and Roth was sent to live with a family in Zürich. This house, the home of the family of Fritz Wyss, was shared with Jewish and communist artists and actors. It was here that Roth would be encouraged to start painting and to write poetry. He wasn't to be re-united with his family, by now utterly destitute, until 1946.

The family moved to Bern in 1947, where Roth began an apprenticeship in commercial art. His clientele include the local milk association and the cheese union. After seeing an exhibition of Paul Klee's work, "a shock that [was to] grow into an obsession", he gradually moved from the style of commercial art he was being instructed in, towards international modernism.

Roth left home in 1953, and began to collaborate with Marcel Wyss and Eugen Gomringer on the magazine Spirale, of which nine issues would be published (1953–64). Most of his work at this time was in the prevailing Concrete art idiom, exemplified by Max Bill. He took part in a number of local exhibitions, as well as writing poetry, making his first organic sculptures and experimenting with Op art. In 1954 he met the artist Daniel Spoerri whose friendship was to be recalled as "one of the most wonderful things I ever experienced." Spoerri would later set up Editions MAT, a publishing house for editioned books and sculptures, which would print some of Roth's early works.