Die Zauberharfe

Franz Schubert's best-known music for the theatre is his incidental music for Rosamunde. Less successful were his many Opera and Singspiel projects. On the other hand, some of his most popular Lieder, like "Gretchen am Spinnrade," were based on texts written for the theatre.

D 4, Overture to the vocal comedy Der Teufel als Hydraulicus for orchestra (1812?)

D 644, Music for Zauberspiel Die Zauberharfe for tenor, six spoken roles, mixed choir and orchestra (1820, in three acts: Overtures to the first and third acts, and thirteen numbers; Overture to the first act known as the "Rosamunde" Overture, also used in D 797)

D 797, Music for Schauspiel Rosamunde, Fürstin von Zypern for alto, mixed choir and orchestra (1823, Overture and nine numbers; first published as Op. 26)

D 11, Singspiel Der Spiegelritter for five sopranos, three tenors, four basses, mixed choir and orchestra (1811?, in three acts?; unfinished – Overture, five complete numbers and three fragments from Act I are extant)

D 84, Singspiel Des Teufels Lustschloß for three sopranos, two tenors, three basses, one spoken role, mixed choir and orchestra (1814, in three acts: Overture and twenty-three numbers; 2 versions; NSA also appends three discarded numbers: No. 13 from the 1st version and Nos. 7 and 23 from the 2nd version, in addition to a fragment of an orchestral postlude)

D 137, Singspiel Adrast for soprano, tenor, bass, men’s choir and orchestra (1817, in two or three acts?; unfinished – thirteen numbers are extant: eight are complete, and five are sketches)

D 190, Singspiel Der vierjährige Posten for soprano, three tenors, bass, one spoken role, mixed choir and orchestra (1815, in one act: Overture and eight numbers)

D 220, Singspiel Fernando for two sopranos, tenor, two basses, one spoken role and orchestra (1815, in one act: seven numbers)

D 239, Singspiel Claudine von Villa Bella for two sopranos, two tenors, two basses, mixed choir and orchestra (1815, in three acts; incomplete – Act I: Overture and eight numbers, is extant, as well as one number from Act II and one number from Act III; remaining numbers were written, but are now lost)

D 326, Singspiel Die Freunde von Salamanka for three sopranos, three tenors, six basses, mixed choir and orchestra (1815, in two acts: Overture and eighteen numbers)

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