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Die Vögel (opera)


Die Vögel (The Birds), Op. 30 is an opera in a prologue and two acts by Walter Braunfels. The libretto, written by the composer, is a free adaptation of Aristophanes' comedy The Birds which was performed at the Dionysos Theatre in Athens in 414 BC.

Composition of the opera started in 1913 and was finished in 1919. The score was published by Universal Edition Vienna in 1920.

The opera was first performed on 30 November 1920 at the National Theatre Munich, with Bruno Walter conducting and Maria Ivogün (the Nightingale) and Karl Erb (Good Hope) in the principal roles. This was followed by more than 50 performances in Munich alone the following two years, and by further performances in Berlin, Vienna and Cologne (where Otto Klemperer conducted).

The first post-war staging of the opera took place in Karlsruhe in 1971. Another production was staged in Bremen in 1991, followed by a concert performance in Berlin in December 1994.

Recently, the opera has been given in various opera houses in Europe:

The United States premiere was staged in 2005 at the Spoleto Festival USA in Charleston, South Carolina, with Julius Rudel conducting. It was later performed in April 2009 at the Los Angeles Opera, with James Conlon conducting.

The Nightingale welcomes the audience to the realm of the birds, extolling its utopian virtues. Nevertheless, she confesses to an unfulfilled longing within her own soul.

Good Hope and Loyal Friend, disillusioned with their fellow men, have journeyed to a desolate region in search of the Hoopoe, king of the birds. They encounter the Wren, who is suspicious of humans, but they manage to persuade her to summon her master. Awakened from sleep, the Hoopoe-who had once been a man himself-confronts Good Hope and Loyal Friend, who declare their desire to live among the carefree birds. When the Hoopoe sighs that the birds have no real kingdom to call their own, Good Hope observes that the sky is their domain. The Hoopoe demurs, remarking that the air belongs to all creatures. Loyal Friend has a sudden brainstorm. He proclaims that the birds should build a great city in the clouds, fortified against men below and the gods above. Good Hope is skeptical, but the Hoopoe embraces the scheme wholeheartedly and summons the birds to his side, announcing that two men have arrived with a plan that will benefit the birds. The birds' first reaction is to denounce the men as wicked and treacherous. However, despite a warning from the Eagle, the Hoopoe prevails upon the mob to hear them out. Playing on their emotions, Loyal Friend harks back to a golden age when the birds were revered by men, and incites them to reclaim their lost glory. Galvanized, the birds commit to the scheme hatched by Loyal Friend, even if it means war. Good Hope is caught up in the excitement too, naively envisioning a better world within reach. Emboldened by his success, Loyal Friend demands that the birds honor him as their lord and master, and they willingly acquiesce. Amid much rejoicing, the birds rush off to begin their grand undertaking.


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