Dictionary of Australian Artists

The Dictionary of Australian Artists (DAA) was the outcome of a project begun in the 1970s at the University of Sydney under the leadership of Bernard Smith and funded by the Australian Research Council. Its development was continued after his retirement in 1981 by Joan Kerr (1938–2004), who brought a new standard of inclusivity to a work that had concentrated on mainstream figures.

In early 2003 Joan Kerr found that it was not possible to publish her recent research on Australian Black and White artists. In addition the 1991 edition of the Dictionary was out of print, and being marketed as a rare book, but Oxford University Press were not interested in a new edition. In both cases publishers indicated that the small size of the Australian book market meant that scholarly publications of this nature were no longer a viable financial proposition. Kerr discussed her problem with Joanna Mendelssohn when she was giving a guest lecture to Mendelssohn's Australian art history students at the College of Fine Arts (COFA). Mendelssohn's writing students had begun to publish their work online in a (now defunct) blog entitled Artwrite and she was only too aware of the lack of reliable scholarly material on Australian art on the web. She suggested to Kerr that the solution was to take her research online. Mendelssohn enlisted the support of University of New South Wales (UNSW) librarian Andrew Wells and Neil Brown, the COFA Associate Dean of Research. When Kerr was diagnosed with terminal cancer, the project became a national effort by scholars in Australian art to ensure that Kerr's legacy would be in part a continuance of her scholarly research. Kerr asked for Vivien Johnson, author of scholarly works on Western Desert artists, to become editor in chief of the project. Before she died on 22 February 2004, she knew that a national partnership of universities, art galleries, and libraries was in the process of applying for funding to create the Dictionary of Australian Artists Online (DAAO). The first Australian Research Council (ARC) grant in support of the project was a partnership headed by UNSW, the Art Gallery of New South Wales, The National Gallery of Australia, the National Library of Australia, the State Library of New South Wales, the University of Sydney, and Charles Darwin University

...
Wikipedia