Diane Williams (author)

Diane Williams (born 1946) is an American author, primarily of short stories. She lives in New York City and is the founder and editor of the literary annual NOON. She is the author of eight books, including her selected stories published by Dalkey Archive Press in 1998. Her most recent book, "Fine, Fine, Fine, Fine, Fine," was published by McSweeney's in 2016. The Millions and Flavorwire listed it as one of the most anticipated books of 2016, and it received a starred review from Publishers Weekly. Her book, Vicky Swanky Is a Beauty, was published by McSweeney's in January 2012. The Boston Globe said "Vicky Swanky' is Williams at her best, shaking us awake again to the persistent strangeness of human life." Vanity Fair wrote "The shorts in Diane Williams's Vicky Swanky Is a Beauty emit an unsettling brilliance, becoming, on repeated readings, even stranger and more revelatory." Ben Marcus says of this work: "The uncanny has met its ideal delivery system: the stories of Diane Williams." Her 2007 collection, It Was Like My Trying to Have a Tender-Hearted Nature, was released by Fiction Collective Two.

In 2001, Dalkey published Romancer Erector: "Crafty, screwball, profound describes Diane Williams's Romancer Erector a trio of novellas and dozens of short stories featuring playful titles like 'I Freshly Fleshly'". In 2012, Romancer Erector was translated into the Swedish by Niclas Nilsson as Romantikus Erector, and published by Orosdi-Back. Torbjorn Elensky comments in Ord & Bild Number 4: 2012 that "Anyone who writes or who is interested in prose as an art form should spend some time with her work. But even if you don't write, you should read her. The only thing you risk is that much of the supposedly poetic prose being published these days will seem flat after a few rounds with Diane Williams.

Her books have been reviewed in many publications, including the New York Times Book Review ("An operation worthy of a master spy, a double agent in the house of fiction") and The Los Angeles Times ("One of America's most exciting violators of habit is [Diane] Williams…the extremity that Williams depicts and the extremity of the depiction evoke something akin to the pity and fear that the great writers of antiquity considered central to literature. Her stories, by removing you from ordinary literary experience, place you more deeply in ordinary life. 'Isn't ordinary life strange?' they ask, and in so asking, they revivify and console.”)

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