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Dhrupad


Dhrupad (Sanskrit: ) is a genre in Hindustani classical music. It is one of the oldest forms of compositions in the classical Indian music and a form that is also found in its Carnatic tradition. It is a Sanskrit name, derived from the words dhruva (immovable, permanent) and pad (verse), a combination that means "pillar". The roots of Dhrupad are ancient, and it is discussed in the Hindu Sanskrit text Natyashastra (~200 BCE – 200 CE). It is also described in other ancient and medieval Sanskrit texts, such as chapter 33 of Book 10 in the Bhagavata Purana (~800–1000 CE), where the theories of music and devotional songs for Krishna are summarized.

The term denotes both the verse form of the poetry and the style in which it is sung.It is spiritual, heroic, thoughtful, virtuous, embedding moral wisdom or solemn form of song-music combination. Thematic matter ranges from the religious and spiritual (mostly in praise of Hindu deities) to royal panegyrics, musicology and romance.

A Dhrupada has at least four stanzas, called Sthayi (or Asthayi), Antara, Sancari and Abhoga. The Sthayi part is a melody that uses the middle octave's first tetrachord and the lower octave notes. The Antara part uses the middle octave's second tetrachord and the higher octave notes. The Samcari part is the development phase, which holistically builds using parts of Sthayi and Antara already played, and it uses melodic material built with all the three octave notes. The Abhoga is the concluding section, that brings the listener back to the familiar starting point of Sthayi, albeit with rhythmic variations, with diminished notes like a gentle goodbye, that are ideally mathematical fractions such as dagun (half), tigun (third) or caugun (fourth). Sometimes a fifth stanza called Bhoga is included. Though usually related to philosophical or Bhakti (emotional devotion to a god or goddess) themes, some Dhrupadas were composed to praise kings.

Dhrupada (or Dhruvapada) is an ancient form of Indian music and it is described in the Hindu text Natyashastra. It is one of the core forms of classical music found all over the Indian subcontinent. The word comes from Dhruva which means immovable and permanent. It is spiritual, heroic, thoughtful, virtuous, embedding moral wisdom or solemn form of song-music combination.

The Yugala Shataka of Shri Shribhatta in the Nimbarka Sampradaya, written in 1294 CE, contains Dhrupad lyrics. The Bhakti saint and poet-musician Swami Haridas (also in the Nimbarka Sampradaya), was a well known dhrupad singer with songs dedicated to Krishna. Swami Haridas was the guru of Tansen, the latter is famous, among other things, for his Dhrupad compositions.


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