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Dhaki


Dhakis (Bengali: ঢাকি) are traditional drummers who play the dhak (drum) during Hindu festivals, primarily in Bengal. Drum beats are an integral part of the five-day-long annual festivities associated with Durga Puja but dhakis are losing out to pre-recorded CDs and cassettes.

Dhakis perform mostly in pandals of barowari pujas, starting from Viswakarma Puja till Kali Puja, but are most prominent during Durga Puja. For the latter festival Kolkata has over 2,000 pandals, with numerous more in the districts. Even a small pandal without the beat of dhaks is unimaginable. Every makeshift tent has a dhak.

The Statesman writes "Durga Puja does not assume the festive aura without the maddening beats of the dhak, the large drum that men hang around their necks and play with two thin sticks to infuse the frenzied rhythm into listeners. Those enchanting beats are enough to conjure up the sights and smells of Durga Puja."

Well, a bit of correction is required here-the thing is that the Dhak is hung around the shoulder of the player.........and not the neck....and played with two thin stick...one a little thicker than the other.....known as (Kathis).

The nuances of playing the instrument are handed down from generation to generation, but the old rhythms are undergoing changes. The rhythm is no longer as slow as in earlier generations. Nowadays, dhakis opt for faster rhythms. Earlier, different beats were used for specific aspects of Durga Puja, as for example chokhhu daan (eye presentation), patha bali (goat sacrifice), bisarjan (immersion ceremony), sandhya arati (evening offerings), sandhipuja (worshiping at the conjunction of two phases), and so on.

Dhakis who cannot learn within the family typically take training under a guru to become a good dhaki, as is the case for most musical instruments. Some take six months to become mature players, while others do not even learn after three or four years. Many young dhakis nowadays are moving towards modern rhythms. Bikram Ghosh, a renowned tabla player and a patron of dhakis in Bengal, opines, "some dhakis do go the commercial way out of necessity. But most know the basic rhythms that have been taught to them by their ancestors."


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