Desire Under the Elms | |
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Written by | Eugene O'Neill |
Date premiered | November 11, 1924 |
Place premiered |
Provincetown Playhouse New York City |
Original language | English |
Genre | Tragedy |
Desire Under the Elms is a 1924 play written by Eugene O'Neill. Like Mourning Becomes Electra, Desire Under the Elms signifies an attempt by O'Neill to adapt plot elements and themes of Greek tragedy to a rural New England setting. It was inspired by the myth of Phaedra, Hippolytus, and Theseus. A film version was produced in 1958, and there is an operatic setting by Edward Thomas.
The following descriptions are taken from the text of the play.
Eben- He is twenty-five, tall and sinewy. His face is well-formed, good-looking, but its expression is resentful and defensive. His defiant, dark eyes remind one of a wild animal's in captivity. Each day is a cage in which he finds himself trapped but inwardly unsubdued. There is a fierce, repressed vitality about him. He has black hair, mustache, a thin, curly trace of beard. He is dressed in rough farm clothes.
Simeon and Peter- [They are] tall men, much older than their half-brother [Simeon is thirty-nine and Peter thirty-seven], built on a squarer, simpler model, fleshier in body, more bovine and homelier in face, shrewder and more practical. Their shoulders stoop a bit from years of farm work. They clump heavily along in their clumsy thick-soled boots caked with earth. Their clothes, their faces, hands, bare arms and throats are earth-stained. They smell of dirt.
Ephraim Cabot- [He] is seventy-five, tall and gaunt, with great, wiry, concentrated power, but stoop-shouldered from toil. His face is as hard as if it were hewn out of a boulder, yet there is a weakness in it, a petty pride in its own narrow strength. His eyes are small, close together, and extremely near-sighted, blinking continually in the effort to focus on objects, their stare having a straining, ingrowing quality. He is dressed in his dismal black Sunday suit.
Abbie Putnam- [She] is thirty-five, buxom, full of vitality. Her round face is pretty but marred by its rather gross sensuality. There are strength and obstinacy in her jaw, a hard determination in her eyes, and about her whole personality, the same unsettled, untamed, desperate quality so apparent in Eben.
Young Girl
Two Farmers
The Fiddler
A Sheriff
Act 1, Scene 1
The play opens at the exterior of a farmhouse in New England. It is sunset on an early summer day in 1850. Eben Cabot enters and walks to the edge of the porch. He rings a bell to call in his half-brothers, Simeon and Peter, who emerge soon after Eben goes back inside. The two brothers begin to talk about gold in the west and the risk of leaving everything they have worked for here. Eben sticks his head out the window as the two brothers speculate over their father's disappearance to the west, saying that he hasn't left the farm in 30 years or more. They decide they can't go west until their father dies. Eben reveals himself then by saying he prays his father were dead. With one last look at the setting sun and the promise of the west, the brothers retreat inside for supper.