Delìrivm Còrdia | ||||
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Studio album by Fantômas | ||||
Released | January 27, 2004 | |||
Recorded | 2003 | |||
Genre | Avant-garde metal | |||
Length | 74:17 | |||
Label | Ipecac | |||
Producer | Mike Patton | |||
Fantômas chronology | ||||
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Professional ratings | |
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Aggregate scores | |
Source | Rating |
Metacritic | 65/100 |
Review scores | |
Source | Rating |
AllMusic | |
Pitchfork | 5.9/10 |
Rolling Stone | |
Stylus Magazine | B+ |
Delìrivm Còrdia is the third album by American experimental rock band Fantômas, released on January 27, 2004 by record label Ipecac.
The music, which was composed solely by Patton, could be described as the score to a horror movie and/or concept album centering on the theme of surgery without anesthesia. The album consists of a single track that runs for 74 minutes and 17 seconds.
Several music genres and styles are covered over the course of the album, including easy listening, chanting, drone, noise and metal, generally being separated by ambience and sounds and voices in a surgical setting. There are no lyrics or song structures as such as one would traditionally expect; the band instead focuses on atmosphere and the creation of suspense through the use of eerie noises, wordless vocals, and sudden, jarring changes in volume and intensity. Approximately the last 20 minutes of the track consist of the sound of a turntable stylus stuck in the runout groove of a record. The track then ends abruptly, with the sound of someone counting in a fast tempo, followed immediately by the stylus sliding across a record's surface.
Some listeners have reported that when played at high speed, such as by holding down the fast-forward button, the record reveals still intelligible sounds including the sound of running water.
The booklet contains graphic photos of actual surgeries in which organs are seen being removed from human bodies from Max Aguilera's book The Sacred Heart: An Atlas of the Body Seen Through Invasive Surgery. Low-resolution images can be viewed here.
A quote on the label backcard reads: "Like the surgeon, the composer slashes open the body of his fellow man, removes his eyes, empties his abdomen of organs, hangs him up on a hook holding up to the light all of the body's palpitating treasures sending a burst of light into its innermost depths." The quote is attributed to Richard Selzer M.D., who is also credited with "voices." This quote is paraphrased from Selzer's introduction to Max Aguilera's book, though it replaces the word "photographer" (Aguilera's profession) with "composer."