Deborah Wong
| Deborah Wong | |
|---|---|
| Born | Deborah Anne Wong 1959 (age 57–58) |
| Residence | California |
| Nationality | Chinese-American |
| Fields | Ethnomusicology, Southeast Asian studies, Asian American studies |
| Institutions | University of California, Riverside |
| Alma mater | University of Michigan (Ph.D., 1991), University of Pennsylvania (BA, 1982) |
| Thesis | The Empowered Teacher: Ritual, Performance, and Epistemology in Contemporary Bangkok (1991) |
| Doctoral advisor | Judith Becker |
| Known for | Study of music in Thailand, Asian American music, ethnomusicology and public musicology. |
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Website Faculty profile |
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Deborah Anne Wong (born 1959) is an American academic, educator, and public musicologist. Her scholarship is in the field of ethnomusicology, where she is known for her studies of Asian American and Thai music. She identifies herself as Chinese-American, Asian-American, and multi-ethnic. Wong was born on the East Coast of the US, and now lives in California. Wong earned her Bachelor of Arts in anthropology and music at the University of Pennsylvania in 1982. Wong later attended the University of Michigan where she earned her master's degree and then her Ph.D. in 1991.
Wong has taught as a Professor of Music at the University of California, Riverside since 1996. Wong has served as President of the Society for Ethnomusicology, and also founded the Committee on the Status of Women with Elizabeth Tolbert in 1996. Wong is also the president of the Board of Directors for the Alliance for California Traditional Arts. She is very committed to her public sector work, and has served on the advisory council for the Smithsonian Center for Folklife and Cultural Heritage since 2011. Wong's focus is on Asian American issues and activities; she has addressed these issues in curriculum and students’ needs. Wong was nominated to be a member of the National Council on the Humanities by President Barack Obama in December 2015.
Wong has studied Taiko, Japanese American drumming, and is part of Satori Daiko, a performing group in Los Angeles. Taiko provides a space that allows women to talk about their performances together and talk about what drumming provides them. The physicality and powerful sounds of Taiko are what moved Wong to discover drumming. She said that music practices, like Taiko, have helped to build community. About 75% of Taiko players are women, most of them Asian American. Wong has said that Asian American women come from family environments where they are encouraged to be quiet and respectful, and Taiko is a way of breaking out of this silence — musically, socially, and politically.
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