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Dead Winter Dead

Dead Winter Dead
DeadWinterDead.jpg
Studio album by Savatage
Released October 24, 1995
Genre Progressive metal
Symphonic metal
Length 52:06
Label Atlantic/Wea
Producer Paul O'Neill/Jon Oliva
Savatage chronology
Handful of Rain
(1994)
Dead Winter Dead
(1995)
Japan Live '94
(1995)
Singles from Dead Winter Dead
  1. "Doesn't Matter Anyway"
    Released: 1995
  2. "Dead Winter Dead"
    Released: 1995
  3. "Christmas Eve/Sarajevo 12/24"
    Released: 1995
  4. "One Child"
    Released: 1996
Professional ratings
Review scores
Source Rating
Allmusic 4/5 stars

Dead Winter Dead is the ninth studio album by Savatage, released in 1995. It is a concept album, dealing with a Serb boy and a Muslim girl who fall in love. The story of the album also focused on the Bosnian War, which was ongoing at the time.

This album featured the return of Chris Caffery, who featured on Savatage's 1989 release Gutter Ballet. Alex Skolnick, who had played guitars on Savatage's previous album Handful of Rain, opted not to stay around for the next album in order to concentrate on his solo band. Singer Jon Oliva took drummer Jeff Plate from the Handful of Rain tour, and brought in his old friend, former member and Doctor Butcher member to join the band. Atlantic Records also felt that the band needed a second, more well-known guitarist to complete the line-up. Al Pitrelli, formerly a member of Alice Cooper's touring band, became the lead guitarist for the band.

This record gave the band an unexpected radio hit in "Christmas Eve (Sarajevo 12/24)", and the band decided they wanted to explore this kind of music in a different way. Around this time, Paul O'Neill, along with Robert Kinkel, was interested in starting up what became the Trans-Siberian Orchestra. It was later re-released by TSO as "Christmas Eve/Sarajevo 12/24" on their first release, Christmas Eve and Other Stories.

The track "Mozart and Madness" quotes directly from the opening theme of Mozart's Symphony No. 25, whilst "Memory" quotes directly from Ludwig van Beethoven's interpretation of "Ode to Joy"


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