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Dead End Drive-In

Dead End Drive-In
Dead end drive in poster.jpg
Theatrical release poster
Directed by Brian Trenchard-Smith
Produced by Andrew Williams
Screenplay by Peter Smalley
Story by Peter Carey
Starring
Music by Frank Strangio
Cinematography Paul Murphy
Edited by
Distributed by New World Pictures
Release date
  • 22 August 1986 (1986-08-22)
Running time
88 minutes
Country Australia
Language English
Budget A$2.5 million
Box office $68,000 (Australia)

Dead End Drive-In is a 1986 Australian action-horror film about a teenage couple trapped in a drive-in theater which is really a concentration camp for societal rejects. The inmates, many of whom sport punk fashion, are fed a steady diet of junk food, new wave music, drugs, and violent films. The film was directed by Brian Trenchard-Smith. It stars Ned Manning and Natalie McCurry as the captive couple, and Peter Whitford as the manager of the drive-in. Mad Max 2 stuntman Guy Norris did some of the stunts. The soundtrack includes contemporary popular music performed by such bands as Kids in the Kitchen and Hunters and Collectors. The song during the rolling credits is "Playing With Fire" by Lisa Edwards. It was included in Not Quite Hollywood: The Wild, Untold Story of Ozploitation!, a documentary film about Ozploitation.

In the near future, the economy has collapsed and massive crime waves sweep the inner cities. The manufacturing industry has shrunk to the point where cars are a commodity and parts are fought over between salvage companies and roving gangs. In an attempt to control the crime-wave, a chain of drive-in theatres are turned into concentration camps for the undesirable and unemployed youth. The dirty, graffiti-laden drive-ins are surrounded by high fences, and the roads leading to them are Security Roads ("S-Roads") that do not allow walking under any circumstances. Police collaborate with the owner to sabotage cars of unsuspecting visitors; however, some who know the true nature of the drive-ins come voluntarily for the shelter and food. Broken cars are continuously collected at these facilities. The prisoners are allowed easy access to a wide variety of drugs, alcohol, junk food, exploitation films, and new wave music. This, coupled with the awful conditions on the outside, engineers an atmosphere of complacency and hopelessness so the inmates will accept their fate and not attempt escape.


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