De cartier (From The Hood) is the fourth studio album by Romanian hip hop group B.U.G. Mafia, released September 20, 1998, by Cat Music in Romania. The album went on to sell over 130,000 copies and, due to some of its violently charged content and the group's acerbic statements on Romania's post communist social situation, De Cartier was the source of much controversy upon its release. The frenzy that resulted from this situation was also the source of a massive discreditation campaign by the Romanian media, who capitalized from the subject by intentionally portraying them in a negative light using false information. The public scrutiny lead to an unprecedented amount of pressure which in turn influenced what the group claims to be their "darkest and most complex work to this day", their following album, "După blocuri".

The recording sessions for the album began in late 1997 and carried on throughout the first half of 1998. Similar to IV: Deasupra tuturor, Tataee was very active in the album's production, though the overall sound differed. Unlike their 1997 effort, which featured a more g-funk oriented sound, De cartier had more hard edged beats that made use of synthethized strings and electric guitars to orchestrate the dramatic sound that carried throughout the album. Longtime collaborators Camil Beldeanu and Eddy Schneider made fewer appearances playing keyboards for Tataee, who instead chose to be more hands on with the production of the album, contributing with keyboards on every track. He has stated in various interviews that the group had just bought their own keyboard and that that was one of the reasons he was able to contribute a significant amount to the album's compositions. A number of songs also use samples taken from iconic gangsta rap acts such as N.W.A and Scarface.

While making De cartier, the group decided to craft an album which would reflect their views on the Romanian society in the late 1990s as inhabitants of a working-class neighborhood in Bucharest. Although rough, the album's tracks provided a more introspective and passionate outlook of working-class life in Romania than the majority of Romanian gangsta rap acts had managed to portray at the time. With soulful songs such as "Poveste fără sfârşit" (Never-ending Story), "Ai grijă de şmenaru' tău" (Make Sure Your Hustler Is Alright) and "Viaţa-i doar un drum spre moarte" (Life Ain't Nothing But A Way To Die) the album worked its way through the controversy, paving B.U.G. Mafia's way to superstardom in Romania.

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Wikipedia