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Daybreaker (Architects album)

Daybreaker
Daybreaker, album by British band Architects.jpg
Studio album by Architects
Released 28 May 2012 (2012-05-28)
Recorded January – February 2012 at the Outhouse Studios in Reading, Berkshire
Genre Metalcore, progressive metal, post-hardcore, mathcore
Length 41:21
Label Century Media, Zestone
Producer Ben Humphreys, Architects
Architects chronology
The Here And Now
(2011)
Daybreaker
(2012)
Lost Forever // Lost Together
(2014)
Singles from Daybreaker
  1. "Devil's Island"
    Released: 4 December 2011
  2. "These Colours Don't Run"
    Released: 26 March 2012
  3. "Alpha Omega"
    Released: 7 May 2012
  4. "Black Blood"
    Released: 3 June 2013
Professional ratings
Aggregate scores
Source Rating
Metacritic 73/100
Review scores
Source Rating
About.com 4/5 stars
Big Cheese (4/5)
Canoe.ca 2.5/5 stars
Consequence of Sound 3.5/5 stars
Metal Hammer (7/10)
Rock Sound (8/10)

Daybreaker is the fifth studio album by British metalcore band Architects. It was released on 28 May 2012 in the United Kingdom and most of Europe and on 5 June 2012 in the United States. It was the last album to feature guitarist Tim Hillier-Brook, who left the band on 16 April 2012. Daybreaker was co-produced by the band and Ben Humphreys at Outhouse Studios in Reading, Berkshire, and used the same team and studio that were used for recording the band's third studio album, Hollow Crown. Daybreaker was praised by music writers for its variety.

The album debuted on charts in five countries but failed to appear on any mainstream top 40. To promote it, Architects released five music videos, toured five continents (2012's Almost World Tour was filmed for the documentary One Hundred Days) and issued a re-release of the album to commemorate their departure from Century Media Records. Daybreaker received a mixed to positive response from critics; some praised its use of atmospheric elements and the return to a heavier style, while others criticised it as uninspired.

In the band's fourth album, 2011's The Here and Now, the band set out to mix their typical sounds with the music they were listening to at the time. The response was polarising. During the publicity for The Here and Now, the band praised it as a progression for them; they did not want to reject an album they had just released. But their own lack of belief in the record and their growing concern that they were irrelevant started to severely affect the band's confidence in themselves and their style.

Songs recorded during early demo sessions after The Here and Now became b-sides for re-releases. During this time, the band became certain they wished to make another "heavy" record. Tom Searle said, "some people might say we've regressed, but I think we've found our enthusiasm for playing heavy music again. I'm excited again by what I've come up with on guitar and lyrically it's much more political and less personal." The band started to write socially aware lyrics during the writing phase of Daybreaker; vocalist Sam Carter said this was a result of the band touring the world and seeing things he felt were downplayed by the media.


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Wikipedia

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