David Levine | |
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Levine circa 1970-1980
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Born |
Brooklyn, New York |
December 20, 1926
Died | December 29, 2009 New York City |
(aged 83)
Nationality | American |
Education |
Pratt Institute Temple University's Tyler School of Art Hans Hofmann |
Known for | Illustration |
Notable work | The New York Review of Books caricatures |
David Levine (December 20, 1926 – December 29, 2009) was an American artist and illustrator best known for his caricatures in The New York Review of Books. Jules Feiffer has called him "the greatest caricaturist of the last half of the 20th Century".
Levine was born in Brooklyn, where his father Harry ran a small clothing factory. His mother, Lena, was a nurse and political activist who had Communist sympathies. He began to draw as a child, displaying a precocious talent that, at the age of nine, won him an invitation to audition for an animator's position in Disney's Los Angeles Studios.
Levine later studied painting at Pratt Institute, at Temple University's Tyler School of Art in Philadelphia in 1946, and with Hans Hofmann. Immediately following World War II, Levine served in the U. S. Army. After his service, he graduated from Temple with a degree in education and completed his studies at its Tyler School.
Levine initially hoped to be a full-time painter, but was often forced to subsist on illustration work from publications like Gasoline Retailer. Nevertheless, he turned out a body of paintings, although many of these were destroyed in a fire in 1968. Levine's paintings are mostly watercolors that often depict garment workers, honoring his father’s employees, and bathers at Coney Island. The paintings, in contrast to his illustrations, are "sympathetic portraits of ordinary citizens, fond and respectful renderings of the distinctive seaside architecture, panoramas with people on the beach." Levine, together with Aaron Shikler founded the Painting Group in 1958, a salon of artists with whom he gathered for fifty years to paint models. The group was the subject of a 2007 documentary called Portraits of a Lady, which followed their creation of simultaneous portraits of U. S. Supreme Court Justice Sandra Day O’Connor.