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David Foster (album)

David Foster
Studio album by David Foster
Released June 11, 1986
Recorded 1985-1986 Lighthouse Studios, North Hollywood, California
Lion Share Recording Studios, Studio 55, Los Angeles, California
Genre Pop
Length 40:54
Label Atlantic
Producer Humberto Gatica & David Foster
David Foster chronology
The Best of Me
(1983)
David Foster
(1986)
The Symphony Sessions
(1988)
Professional ratings
Review scores
Source Rating
Allmusic 3/5 stars

David Foster is a self-titled solo album by David Foster, released in 1986. The album is mainly instrumental with two duet-style songs featuring rare vocals from Foster himself. This work led to Foster receiving the Juno Award for "Instrumental Artist of the Year" in 1986 and 1987, and a Grammy Award nomination for "Best Pop Instrumental Performance" in 1986. Co-producer Humberto Gatica was also nominated for a Grammy Award in 1986 for "Best Engineered Recording" for this album.

After producing numerous commercially successful albums for other artists during the 1980s, David Foster released his first major label debut in 1986. The album features many of Foster's friends and collaborators from the Los Angeles-area studio musician scene who had worked with him on previous releases including his first solo album "The Best of Me" and the St. Elmo's Fire soundtrack.

The first track is the instrumental version of the "Love Theme" from the 1985 film St. Elmo's Fire, which also appears on the film's soundtrack. Foster received a Juno Award for "Producer of the Year" for that album in 1986. A video was produced for this song, featuring a storyline where Foster is writing the song on piano interspersed with scenes of him pursuing a girl riding on horseback.

The second track is from the 1985 Spielberg film The Color Purple. The CD soundtrack for this film features a different track entitled "High Life/Proud Theme" (1:12), and it is not clear if this version actually appears in the movie. The song was composed by award winning producer Quincy Jones, his frequent co-writer Rod Temperton and arranger Jeremy Lubbock. All three were nominated for the Academy Award for "Original Music Score" in 1985 for their work on this soundtrack.


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