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Daughters of Africa


Daughters of Africa: An International Anthology of Words and Writings by Women of African Descent from the Ancient Egyptian to the Present is a compilation of orature and literature by more than 200 women from Africa and the African diaspora, edited and introduced by Margaret Busby, who compared the process of assembling the volume to "trying to catch a flowing river in a calabash". First published in 1992, in London by Jonathan Cape (having been commissioned by Candida Lacey, now publisher of Myriad Editions), and in New York by Pantheon Books, Daughters of Africa is regarded as a pioneering work, covering a variety of genres — including fiction, essays, poetry, drama, memoirs and children's writing — and more than 1000 pages in extent. It includes work translated from African languages as well as from Dutch, French, German, Portuguese, Russian and Spanish.

The anthology's title derives from an 1831 declaration by Maria W. Stewart (1803–1880), the first African-American woman to give public lectures, in which she said: "O, ye daughters of Africa, awake! awake! arise! no longer sleep nor slumber, but distinguish yourselves. Show forth to the world that ye are endowed with noble and exalted facutlies."

Daughters of Africa was widely praised on publication. Reviewing it for Black British newspaper The Weekly Journal, Evie Arup wrote: "Daughters of Africa is a literary first. Never before has the work of women of African descent world-wide been gathered together in one volume. The breadth of this collection is startling.... This book should be required reading for any student of literature, and a standard reference book in school libraries, and, to paraphrase that well known slogan, 'every home should have one.'" The reviewer from The Independent, however, noted: "This book may seem to be about literature but in the end it is as much a testament to language: its power to create attitudes as well as its potency as a means of expression." According to Library Journal, the anthology is "an invaluable text for courses on women writers and writers of African descent", while The Washington Post Book World called it: "A magnificent starting place for any reader interested in becoming part of the collective enterprise of discovering and uncovering the silent, forgotten, and underrated voices of black women."Lorna Sage in the Independent on Sonday concluded: "Daughters of Africa has a paradoxical universality". The reviewer for Black Enterprise wrote: "It is a landmark anthology.... Busby's first-of-a-kind anthology is a poignant reminder of how vast and varied the body of black women's writing is." It has also been described as "groundbreaking", as "one of the most significant assemblages of writers across the diaspora" and as "the ultimate reference guide to the writing of 'daughters of Africa'".


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