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Dante XXI

Dante XXI
Sepultura - Dante XXI.jpg
Studio album by Sepultura
Released March 14, 2006
Recorded 2005
Genre
Length 39:06
Label SPV
Producer André Moraes, Sepultura, Stanley Soares
Sepultura chronology
Live in São Paulo
(2005)
Dante XXI
(2006)
The Best of Sepultura
(2006)
Professional ratings
Review scores
Source Rating
About.com 4.5/5 stars
AllMusic 3.5/5 stars
Alternative Press 4/5 stars
Blabbermouth.net (7/10)
Brave Words & Bloody Knuckles (8.5/10)
Metal Storm (8.5/10)
Stylus Magazine C−

Dante XXI is the tenth studio album by the Brazilian metal band Sepultura, released in 2006 through SPV Records. It is a concept album based on the three sections of Dante Alighieri's The Divine Comedy; Inferno (hell), Purgatorio (purgatory) and Paradiso (paradise). This is the last album to feature Igor Cavalera on drums.

Dante XXI was originally titled "Dante 05", but was changed when it became clear that the album would not be released by the end of 2005. The first single from the album was "Convicted in Life". A video for the song was released in 2006, and it won the MTV VMB Best Editing in a Video Award that year. In January 2008 the band released a music video for the song "Ostia". The album artwork was done by Stephan Doitschinoff, whom the band commissioned to do 10 paintings based on the Divine Comedy.

Covers of Judas Priest's "Screaming for Vengeance" and Sick of It All's "Scratch the Surface" have been recorded as B-sides. "Screaming for Vengeance" was added as a Japanese bonus track, while "Scratch the Surface" is included on the SOIA tribute album Our Impact Will Be Felt. The Brazilian edition (Krako records), contains two bonus tracks: "Mindwar" (recorded live from Stanley Soares's mixing desk in Ehfurt/Germany, December 3, 2004 on tour with Motorhead) and "False" (demo recorded at High Five Studio São Paulo, during pre production for Dante XXI July 2005).

Initial ideas for the album included a symphonic metal album (like Metallica's S&M album), and a concept album based on the novel A Clockwork Orange, which was applied to their next studio album A-Lex.


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